beautypg.com

3 configuration switches (mode switches), 1 clip limiter, 2 input filter – Behringer EUROPOWER EP2500 User Manual

Page 7: 3 2-channel mode (stereo), 4 parallel mode, 5 mono-bridged mode, Applications, 1 differences between 2-channel, parallel and mono, Bridged operating modes, Applications 3

background image

EUROPOWER EP1500/EP2500

Applications

7

Power is supplied via an IEC connector. The matching cable

[14]

is provided with the unit.
SERIAL NUMBER of your EUROPOWER.

[15]

Here you can find a detailed overview of the individual MODE

[16]

SWITCHES functions ({9}).

Configuration switches (MODE SWITCHES)

2.3

DIP-switches

Fig. 2.3:

Clip limiter

2.3.1

When the input signal connected to your amp is too high, you end

up with a distorted output signal. To prevent this, both channels

of your EUROPOWER feature a clip limiter that can be engaged

or disengaged selectively. The limiters automatically recognize

distortion and lower amplification until distortion is reduced to

a tolerable level. To preserve the dynamic characteristics of the

signal when low distortion levels are occurring, the clip limiters

function with moderate suppression. Use switches 1 (ch. 1) and

10 (ch. 2) to activate the clip limiters.
When using broadband loudspeaker systems, the clip limiter

reduces high frequency distortions which occur when an amp-

lifier is overloaded. The drivers are thus protected from being

damaged.

Input filter

2.3.2

The LF (high-pass) filter removes frequencies below 30 and 50 Hz

respectively. The reproduction of the signal’s bass portion is thus

optimized, since ultra-low, distracting frequencies are eliminated,

and more power is available for the reproduction of the wanted

segment of the signal. Engaging and disengaging the filters is done

by using the switches 3 (ch. 1) and 8 (ch. 2). Switches 2 (ch. 1)

and 9 (ch. 2) determine the cut-off frequency. As long as the filter is

disengaged, frequencies below 5 Hz are cut to prevent damage.
You should set up the filters so they best suit the frequency res-

ponse of your speakers, since some speakers (e.g. bass reflex

speakers) are particularly sensitive to over-excursion below the

listed frequency range.
The 50 Hz filter should be engaged when using broadband

speakers because the filter provides a moderate amplification

in the 100-Hz range, resulting in a fuller sound. The 30 Hz filter

is ideally suited for subwoofer operation as well as for broad-

band cabinets. The “Off” setting should be used only for special

applications (e.g. studio applications), in which recognizing and

subsequently removing infra-sound is important.

2-channel mode (stereo)

2.3.3

Both channels of your amp function independently from one

another in this operating mode, and each has its own input sig-

nal. Two independent speakers are connected at the outputs. To

activate this operating mode, please set the MODE SWITCHES

4 and 5 to “STEREO”.

When running the unit in two-channel mode, the swit-

+

ches for mono-bridged mode must be disengaged (dip

switches 6 and 7 in left position).

Parallel mode

2.3.4

Running in parallel mode enables you to feed a signal via one of the

inputs into both outputs. Each channel drives its own loudspeaker

with independent amplification, filter and limit characteristics. To

link the inputs, set the MODE SWITCHES 4 and 5 to “PARALLEL

INPUTS”.

Mono-bridged mode switches must be disengaged when

+

running in parallel mode.

With inputs set to parallel, you can use the remaining input con-

nectors to feed the signal into additional amplifiers. This means

that the channel 2 inputs function as outputs.
The parallel mode is well-suited for applications in which driving

two speakers with the same signal but with separate amplification,

filter and limiter settings is desired.

Mono-bridged mode

2.3.5

This operating mode enables you to add up the respective vol-

tage of both channels and use it to drive a single loudspeaker.

The voltage is therefore doubled, the peak power is quadrupled,

and program power is roughly three times as high as that of

the individual channels. The input, output, gain, filter and limiter

controls belonging to channel 1 are used when running in mono-

bridged mode. The controls belonging to channel 2 are not used.

To prevent signal cancellation due to internal phase inversion,

the GAIN control belonging to channel 2 must be turned to its

left-most position.
Use this operating mode to route the power from both channels

to a single 8-Ohm or 4-Ohm load. To do so, set up the switches 6

and 7 to “BRIDGE MODE ON”. To use the binding posts as your

output, you MUST use the two middle posts only.

The mono-bridged mode puts added demands on ampli-

+

fier and speakers. Excessive distortion may occasionally

completely mute the amp’s outputs as well as cause

permanent damage to the speakers. Please assure that

your speakers (minimal impedance 4 Ohms) as well as

the cables used can handle the extra power generated

in this mode.

Applications

3.

Running EUROPOWER amplifiers in conjunction with

+

8-Ohm speakers with a power rating of at least 2 x 260

Watts (EP1500) and 2 x 450 Watts (EP2500) is recom-

mended to assure optimal operation.

Differences between 2-channel, parallel

3.1

and mono-bridged operating modes

2-channel mode is the most common operating mode of ampli-

fiers. Both channels operate fully independently from one another.

There is always a separate input signal as well as a separate

output signal.

This manual is related to the following products: