Behringer GMX212 - Manual (Page 11)

11
V-TONE GMX110/GMX210/GMX212/GMX1200H
4. EFFECTS PROCESSOR
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Once you activate MIDI, FX tracking is no longer active,
i.e. there is no assignment between an effect number
and a channel. This means that when you switch a
channel, the previously set effect is not automatically
loaded up. As this assignment feature would probably
cause confusion when controlling the V-TONE via a
MIDI foot controller, it makes sense only when it is
controlled from the enclosed footswitch or directly
from the V-TONE. To operate your V-TONE without
MIDI remote control, please disable the MIDI function
(display reads “OF”).
You can control different functions of your V-TONE using
MIDI. To this end, the V-TONE receives MIDI instructions (so-
called messages). The messages that need to be sent to your
V-TONE have to be created either on a MIDI foot controller or on
a MIDI sequencer. Basically, these are Program Change
Messages and Controller Messages:
Pro gram Changes: You can dial up presets using MIDI
program changes. Since program changes start at 0 and go up
to 127, program change 0 corresponds to preset 1, program
change 1 to preset 2, and so on (compare table 7.1 in the
appendix). After the switch is done, the preset is directly active,
i.e. independent from a possibly set bypass.
Effect parameters: Three parameters of the effects
processor can be adjusted in real time. This way, you can create
your own effects, modify existing effects to your specific needs
(e.g. adapt the delay time to the tact of your song) or remotely
control using a MIDI foot controller.
Select a controller number for the footswitch on your MIDI foot
controller. Use control numbers 12, 13 or 14. Using the footswitch
on your MIDI foot controller, you can now modify the values of
the three adjustable parameters in real time or directly enter their
values. Which three parameters for the respective effect can be
edited is shown in the following table: