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9 phantom power – Behringer T1953 User Manual

Page 19

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TUBE ULTRAGAIN T1953

V

ideo

T

ape

Compact

Disc

Analog

Records

FM

Radio

Digital

T

ape

(16

Bit)

Analog

T

ape

dB

100

75

50

25

Analog

Mixing

Console

Fig. 4.8: Dynamic range of various media

4.9 Phantom power

Condenser microphones need a specific supply voltage polarizing the condenser diaphragm. This voltage can

be furnished from an internal battery, or an external power supply that is either connected directly to the

microphone or supplies the voltage through the microphone cable. In practice, this technique is usually referred

to as +48 V or phantom power supply, and uses the microphone cable to carry both the audio signal and the

supply voltage required for the microphone.
Please read this chapter thoroughly: phantom power can damage the microphone, if used improperly.

Fig. 4.9: Functional diagram of phantom power supply

We speak of phantom power when a microphone cable is used to carry several signals, with a DC voltage

“layered” on the actual audio signal. The typical phantom DC voltage is +48 V, which is applied both to the

positive (pin 2) and negative inputs (pin 3) of the XLR connector, using current-limiting resistors. As the

phantom voltage is split up in a balanced configuration among the signal leads, there is no need to apply it

directly to the microphone transducer or the microphone itself, where it could damage the transducer and/or

capsule. In an unbalanced configuration, DC voltage would be applied directly, which would inevitably lead to

disturbing noise or could even damage the electronics.

4. TECHNICAL BACKGROUND