Behringer Ultra-Flexible Modeling Amp/Multi-Effects Processor with Integrated Expression Pedal X V-AMP LX1-X - Manual (Page 7)

7 X V-AMP LX1-X User Manual
(22) AC IN. Connect the enclosed power supply to the AC IN connector.
As soon as you plug the power supply into the mains, your X V-AMP
is automatically “on”. More information on the power supply can be
found in chapter 9 “Specifications”.
3. Operating Modes (Configurations)
An outstanding characteristic of the entire V-AMP product line is the freedom
to personally select which signal segments (according to your own needs and
desires) will be fed to the outputs. To optimally adjust your X V-AMP to various
studio and live situations, you can select one of the 9 possible configurations.
These configurations assign where individual signals for line outputs and
headphone outputs are coming from—and all this independent from the
settings stored in the presets.
3.1 Selecting a CONFIGURATION
When you press NOISE GATE (3) and COMPRESSOR (5) at the same time,
CONFIGURATION mode is activated or deactivated. The key LEDs are blinking as
long as you are in CONFIGURATION mode.
Dialing up individual configurations in CONFIGURATION mode is done by using
NOISE G. (3) and COMPR. (5). A table with the respective configurations is
shown below.
Volume is adjustable globally by using the ADJUST control.
Input gain can be adjusted using ADJUST + TAP, so that you can adjust your
X V-AMP globally to instruments with varying output signal levels, whereby the
following goes: a higher setting is for quieter instruments, and a lower setting is
for louder instruments.
OPERATING MODE X V-AMP CONFIGURATION
PHONES (with all
speaker and amp
simulations)
P1 FLAT: Neutral EQ
P2 LOUDNESS: Increasing bass and highs
P3 PRESENCE: Accentuation of upper mids, lowering of bass tones
AMP + FX
(without speaker
simulations)
A1 FLAT: Neutral EQ
A2 LOUDNESS: Increasing bass and highs
A3 PRESENCE: Accentuation of upper mids, lowering of bass tones
only FX (without
speaker and amp
simulations)
F1 FLAT: Neutral EQ
F2 LOUDNESS: Increasing bass and highs
F3 PRESENCE: Accentuation of upper mids, lowering of bass tones
Tab. 3.1: Operating modes (CONFIGURATIONS)
3.2 Application (example)
Our example shows a typical X V-AMP application: Connection to a guitar amp
(BEHRINGER V-TONE GMX212) using operating modes A1-F3 (without speaker
simulation). The V-TONE GMX212 features a stereo aux input, while many other
amps have only a mono instrument input. For jam sessions at your own pad,
connect a set of high-quality headphones (e.g. our BEHRINGER HPS3000) to the
LINE OUT/PHONES connector.
EUROLIVE B1220
Tape Out
Stereo Line Inputs Main Out
Rec Out
HPS3000
AC In
Instrument In
V-TONE GMX212
Lo Input
Electric guitar
XENYX1204FX
EUROPOWER EP2000
X V-AMP
Mono
Amp Out
Stereo
Line/Phones
Out
STORE
NOISE G. COMPR. REVERB
MODUL. DELAY
PEDAL CONFIGURE BASS EQ PRESENCE
GAIN
2ND FUNCTION COPY
/ VOLUME
ADJUST
TAP
BYPASS/TUNER
TUNER
PHONES AMP + FX EFFECT SPEED VOLUME FX ONLY
CON FIGU RATION PEDAL AS SIGN
WAH
1
2
3
4
Fig. 3.1: Standard application (example)