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11 rear panel, Digital effects processor, Digital effects processor 3 – Behringer EURODESK SX2442FX User Manual

Page 11: Digital effects processor 11, Rear panel 2.11

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EURODESK SX3242FX/SX2442FX

Digital effects processor

11

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The FX SEND 1 and 2 connectors also provide the master FX

send signals, for example, to connect them to the inputs of an

external effects device. However, these are “dry” signals only

with no “effect signals” from the built-in effects processor!

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The Stereo FX RETURN inputs 1 and 2 return the effect

signals from external effects processors and add them to

the main mix.

Footswitch connectors

Fig. 2.27:

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The FOOTSW(ITCH) connector allows you to connect a

standard dual footswitch to separately enable/disableFX 1 or

FX 2. The tip of the 1/4" plug controls FX 1, the ring controls

FX 2.

Rear panel

2.11

The rear panel of the EURODESK

Fig. 2.28:

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Use the POWER switch to put the mixer into operation.

This switch should always be in the “Off” position when you

connect your unit to the mains.
Please note: The POWER switch does not fully discon-

+

nect the unit from the mains. To disconnect the unit

from the mains, pull out the main cord plug or appli-

ance coupler. When installing the product, ensure the

plug or appliance coupler is readily operable. Unplug

the power cord when the unit is not used for prolonged

periods of time.

(70)

With the PHANTOM switch you can activate the phantom

power supply for the XLR connectors of the mono channels

for condenser microphones. The +48 V-LED (37) illuminates

when phantom power is on. In most cases, dynamic micro-

phones can still be used as long as they are connected in

a balanced configuration. If in doubt, please contact the

manufacturer of your microphone!

(71)

The mains connection is a standard IEC receptacle. An ap-

propriate power cord is supplied with the unit.

(72)

FUSE HOLDER. Before connecting the unit to the mains,

ensure that the voltage setting matches your local voltage.

Blown fuses should only be replaced by fuses of the same

type and rating. Please also read the information given in

chapter 6 “Specifications”.

(73)

SERIAL NUMBER.

Digital effects processor

3.

List of all effects presets

Fig. 3.1:

99 FIRST-CLASS PRESETS

Here is the list of all multi-effects presets. The built-in

effects processor offers you various standard effects

such as reverb, chorus, flanger, delay and a variety

of combination effects from our renowned studio ef-

fects processor VIRTUALIZER PRO DSP2024P. Use

theFX control on the channels and the FX SEND control to supply

the effects processor with signals. A built-in digital stereo effects

processor has the benefit of no external wiring, thus reducing the

risk of ground loops or level differences. Handling is therefore

much easier.
PARALLEL FX
The effects presets 1 to 70 provide classic “add-to-mix” effects. So,

when you turn up the FX 1 (or 2) TO MAIN control, you create a

mix of the (dry) channel signal and the effect signal. The balance

between the two signals can be set with the FX send and FX 1/2

TO MAIN controls.
This also applies to adding effect signals to the AUX 1 (or 2) moni-

tor mix, with the exception that the mix here is adjusted with the

AUX 1 (or 2) control in the channel strip and the FX TO AUX 1 (or

2) potentiometer. Of course, the effects processor must receive

a signal from the channel using the FX 1 (or 2) control. Make

sure that the PRE switch in the corresponding channel strip(s) is

pressed. Otherwise, the AUX buses will be set post-fader making

the volume of the AUX monitor signal dependent on the position

of the channel fader(s).
INSERT FX (channel is muted)
Effects presets #71 and higher process the entire signal, unlike

the “add-to-mix” effects. When you use an insert preset, be sure

to separate the respective channel from all buses (SUB button

and MAIN button not pressed) and only route the effect signal to

the main mix (FX 1/2 control, FX SEND 1/2 control and FX TO

MAIN 1/2 control).

The channel fader of the corresponding channel remains

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active and governs (in combination with the FX controls)

the signal level sent to the built-in effects processors.

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