Behringer GX110 - Manual (Page 14)

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ULTRAROC GX110
38-42 Chorus/Reverb: Here, the signal passes a chorus effect with various intensities and then a reverb.
Adjustable parameter: reverb mix.
43-47 Chorus/Delay: First, the signal is chorused with various intensities, then follows a delay effect with
various feedback levels and adjustable delay time. Adjustable parameter: delay mix.
48-51 Flanger: An LFO constantly modulates the pitch of the effect signal up and down by a few cents and
then sends the effect signal back to the input. This effect can be excellently combined with distorted
guitar sounds.
52-56 Flanger/Reverb: Here, a flanger with various intensities is followed by a reverb. Use the FX MIX control
to edit the reverb mix.
57-61 Flanger/Delay: The first element is a flanger with various intensity levels, then comes a delay effect.
Adjustable parameter: delay mix.
62-63 Tremolo: Tremolo is a more or less fast, intensive variation of the signal amplitude.
64-66 Tremolo/Delay: A more or less fast, intensive amplitude modulation complemented by a delay effect.
Use the FX MIX control to edit the tremolo mix parameter.
67-68 Rotary Speaker: This is the quintessential simulation of the classical organ effect normally produced
by speakers that rotate at slow/fast speed in a bulky and extremely heavy speaker cabinet. This effect
uses the physical principle known as Doppler effect.
69-70 Magic Drive: This is an absolutely up-to-date effect combined with a delay. As a little extra, this effect
includes an LFO-controlled notch filter. Adjustable parameter: delay mix. With its high volume level this
effect is perfectly suitable for solo work.
71-72 Auto Wah: Auto Wah is a velocity-sensitive effect that allows low frequencies to pass, while high
frequencies are more or less suppressed. FX MIX controls the filter depth. Select a low value when you
prefer playing in low registers. The higher the register, the higher the depth value should be (FX MIX).
73-74 LFO Wah: In the LFO Wah effect the LFO governs the speed of frequency modulation. Here, you can
produce wah-wah effects that are repeated at regular intervals. The LFO Wah delivers astounding
results.
3. EFFECTS PROCESSOR