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Introduction – Behringer T1952 User Manual

Page 6

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TUBE COMPOSER T1952

1. INTRODUCTION

In purchasing the new TUBE COMPOSER T1952, you have acquired an extremely efficient and universal

dynamics processor, which combines the precision of the solid state technology with the warmth and

liveliness of tube technology. The most commonly used dynamic functions are all present. Every channel has

its own independent compressor/limiter, an expander/gate and a peak limiter complemented by an

extremely low-noise tube stage. The precision and flexibility of the functions are the main outstanding features

of this high end unit.

Future proof BEHRINGER technology
The philosophy behind BEHRINGER products guarantees a no-compromise circuit design and employs the

best choice of components. The op-amps, type 4580, used in the TUBE COMPOSER are chosen for their

superior signal-to-noise ratio, low distortion and linear performance. Additionally, the TUBE COMPOSER uses

high quality resistors and capacitors with very tight tolerances, high-grade switches as well other selected

components.

Modern manufacturing and design principles
Our engineering team has made it possible to enhance the traditional tube circuitry (particularly for our

TUBE COMPOSER) and adapt it to meet the high sound quality and dynamics requirements of modern,

pro-level audio technology. The fact that we are still fascinated by “antique” tube radios and amps as well as

the fine and warm tonal character that we usually associate with them, are the reasons why vacuum tubes

have kept their ground even in state-of-the-art circuit topologies used especially in professional audio

technology or high-end devices. We are particularly proud that we have found a highly effective symbiosis

between solid-state and tube technologies making them affordable to almost anybody in audio technology.
With the exception of 2 select 12AX7/ECC83 tubes, the TUBE COMPOSER T1952 is based on SMD

technology (Surface Mounted Device). These subminiature components known from aerospace applications

ensure both extreme packing density and greater reliability. The TUBE COMPOSER is manufactured under

ISO9000 certified management system.

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Please keep the manual after reading, in order to use it for future reference.

1.1 The concept

IKA (Interactive Knee Adaptation) compressor
Our proven IKA (Interactive Knee Adaptation) circuitry successfully combines the concept of a “Hard Knee”

compressor with the characteristics of a “soft knee” approach. This program-dependent control characteristic

forms the prerequisite both for “inaudible” and musical program compression and for creative and highly

effective dynamics processing.
With its IKA circuitry the TUBE COMPOSER is capable of delivering outstanding musical results both in

studio and live P.A. applications.
Additionally, the TUBE COMPOSER’s side chain filter allows for limiting the influence low-frequency signal

portions usually have on the control logic, so that the compression ratio is mainly determined by those

frequencies that are essential to the loudness perceived by the listener—the midrange frequencies.
IRC (Interactive Ratio Control) expander
A basic problem in the use of a compressor is the fact that the noise floor is highly amplified during quiet

sections or when there are music pauses. This effect is exaggerated when the compression ratio is in-

appropriate. In order to eliminate this problem, one would normally use an additional expander or gate. The

noise is then simply faded out in the quiet sections. However, simple expanders, even when they are used

correctly, drastically cut signals below the preset threshold. This effect becomes more noticeable during the

transition from signal to noise floor. This can mean, that the start or end of words can be cut on a vocal track.
A newly developed IRC (Interactive Ratio Control) expander has been integrated into the TUBE COMPOSER

the ratio of which, is automatically adjusted, depending on the program material. The result is an expander

which is less critical of adjustment and which is more tolerant in the presence of those signals which appear

slightly above the noise floor. Because of its new IRC circuit design, the BEHRINGER TUBE COMPOSERs

1. INTRODUCTION