Boss Audio Systems Boss CDSM AMP EFFECTS PROCESSOR GT-100 - Manual (Page 10)

EFFECT
10
T. WAH
You can produce a wah effect with the filter changing in response to the
guitar level .
Parameter Value Explanation
MODE
Selects the wah mode .
LPF
This creates a wah effect over a wide
frequency range .
BPF
This creates a wah effect in a narrow
frequency range .
POLAR
Selects the direction in which the filter will change in response to
the input .
DOWN The frequency of the filter will fall .
UP The frequency of the filter will rise .
SENS 0–100
Adjusts the sensitivity at which the filter will
change in the direction determined by the
polarity setting . Higher values will result in
a stronger response . With a setting of 0, the
strength of picking will have no effect .
FREQ 0–100
Adjusts the center frequency of the Wah
effect .
PEAK 0–100
Adjusts the way in which the wah effect
applies to the area around the center
frequency .
Higher values will produce a stronger tone
which emphasizes the wah effect more . With
a value of 50 a standard wah sound will be
produced .
EFFECT LEVEL 0–100 Adjusts the volume of the effect sound .
DIRECT MIX 0–100 Adjusts the volume of the direct sound .
AUTO WAH
This changes the filtering over a periodic cycle, providing an automatic
wah effect .
Parameter Value Explanation
MODE
Selects the wah mode .
LPF
This creates a wah effect over a wide
frequency range .
BPF
This creates a wah effect in a narrow
frequency range .
RATE
0–100,
BPM –
Adjusts the frequency (speed) of the change .
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
DEPTH 0–100 Adjusts the depth of the effect .
FREQ 0–100
Adjusts the center frequency of the Wah
effect .
PEAK 0–100
Adjusts the amount of wah effect applied in
the range near the center frequency . Higher
values will produce a stronger tone which
emphasizes the wah effect more . With a value
of 50 a standard wah sound will be produced .
EFFECT LEVEL 0–100 Adjusts the volume of the effect sound .
DIRECT MIX 0–100 Adjusts the volume of the direct sound .
SUB WAH
You can control the wah effect in real time by adjusting the [EXP] pedal or
the expression pedal connected to the SUB CTL 1, 2/SUB EXP jack .
Parameter Value Explanation
TYPE
Selects the type of wah .
CRY WAH
This models the sound of the CRY BABY wah
pedal popular in the ‘70s .
VO WAH This models the sound of the VOX V846 .
FAT WAH This is a wah sound featuring a bold tone .
LIGHT WAH
This wah has a refined sound with no unusual
characteristics .
7STRING WAH
This expanded wah features a variable range
compatible with seven-string and baritone
guitars .
RESO WAH
This completely original effect offers en-
hancements on the characteristic resonances
produced by analog synth filters .
PEDAL POS 0–100
Adjusts the position of the wah pedal .
* This parameter is used after it’s been as-
signed to an EXP Pedal or similar controller .
PEDAL MIN 0–100
Selects the tone produced when the heel of
the EXP Pedal is depressed .
PEDAL MAX 0–100
Selects the tone produced when the toe of
the EXP Pedal is depressed .
EFFECT LEVEL 0–100 Adjusts the volume of the effect sound .
DIRECT MIX 0–100 Adjusts the volume of the direct sound .
ADV. COMP
This is an effect that produces a long sustain by evening out the volume
level of the input signal . You can also use it as a limiter to suppress only the
sound peaks and prevent distortion .
Parameter Value Explanation
TYPE
Selects the compressor type .
BOSS COMP This models a BOSS CS-3 .
HI-BAND
This is a compressor that adds an even
stronger effect in the high end .
LIGHT This is a compressor with a light effect .
D-COMP This models a MXR DynaComp .
ORANGE
This is modeled on the sound of the Dan
Armstrong ORANGE SQUEEZER .
FAT
When applied heavily, this compressor effect
provides a fat tone with a boosted midrange .
MILD
When applied heavily, this compressor effect
produces a sweet tone with the high end cut .
STEREO COMP This selects a stereo compressor .
SUSTAIN 0–100
Adjusts the range (time) over which low-level
signals are boosted . Larger values will result
in longer sustain .
ATTACK 0–100 Adjusts the attack time .
LEVEL 0–100 Adjusts the volume .
TONE -50–+50 Adjusts the tone .