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The mastering compressor – Universal Audio SHADOW HILLS MASTERING COMPRESSOR User Manual

Page 5

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The Mastering Compressor

 

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5

 

OPTICAL SECTION

The  Optical  Section  is  the  first  gain  reduction  circuit  in  the  Mastering  Compressor.  The  
compressor  is  characterized  by  its  very  musical  compression  circuit  featuring  a  slow  attack  
and  a  two-­‐stage  release.  The  initial  eighty  percent  of  compression  is  released  very  quickly,  
whilst  the  remaining  twenty  percent  takes  over  a  second  to  recover,  varying  slightly  with  the  
amount  of  attenuation  applied.  Modeling  the  Optical  Section  with  its  unique  electro-­‐
luminescent  optical  attenuator  was  certainly  the  biggest  challenge  during  the  production  of  
the  Mastering  Compressor  Plugin.  

OPTICAL  GAIN  

This  control  provides  post-­‐compression  make-­‐up  gain  or  attenuation  using  a  
24-­‐position  rotary  switch.  The  gain  control  provides  greater  accuracy  around  unity  gain,  
which  occurs  roughly  at  position  “7”,  and  offers  coarser  adjustment  towards  more  
extreme  settings.  

OPTICAL  THRESHOLD  

This  control  determines  at  what  input  level  compression  begins  to  occur.  The  compressor  
operates  with  a  fixed  ratio  of  2:1,  so  compression  is  achieved  by  lowering  the  threshold  into  a  
range  in  which  it  begins  to  attenuate.  Minimum  compression  occurs  at  “1”  and  maximum  
compression  occurs  at  “24”.