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The mastering compressor – Universal Audio SHADOW HILLS MASTERING COMPRESSOR User Manual

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The Mastering Compressor

 

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TRANSFORMER CHOICES

TOP  POSITION  –  NICKEL  

The  cleanest  position  with  the  least  distortion.  This  position  has  a  subtle  accentuation  of  
ultra-­‐high  frequencies.  

MIDDLE  POSITION  –  IRON  

This  position  has  an  additional  Class-­‐A  amplifier  section  adding  even-­‐ordered  harmonic  
distortion,  resulting  in  a  very  musical  upper  low  frequency  boost.  

BOTTOM  POSITION  –  STEEL  

The  most  distorted  selection  with  an  extremely  tight  boost  in  the  low  frequencies.  
 

Mastering  the  Transformer  Switching  Matrix  involves  a  certain  learning  curve  and  the  sonic  
differences  between  the  three  transformers  can  be  more  or  less  obvious  depending  on  the  
audio  signal  running  through.  In  general,  differences  are  most  easily  heard  on  “busy”  mixes  
with  rich  low  end  and  sizzling  high  frequencies  –  like  a  real  drum  kit  with  open  hi  hats  or  
dance  mixes.  Listening  through  a  big  speaker  system  will  also  help  to  get  a  feel  for  each  
transformer  as  they  primarily  affect  the  very  low  end  of  the  frequency  spectrum.  
 
 

SIDE CHAIN FILTER

The  Side  Chain  Filter  switch  engages  a  high-­‐pass  filter  on  the  side  chains  of  both  the  optical  
and  discrete  compressors.  No  signal  below  90Hz  will  affect  the  amount  of  compression  
applied.  Thus  the  Side  Chain  Filter  can  help  to  reduce  unwanted  “pumping”  artifacts,  as  the  
compressors  will  react  less  to  low  frequency  content  such  as  bass  drum  hits.