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TC Electronic LM2 Plug-in User Manual

Page 7

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LM6 - Radar Loudness Meter

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EN

measures, low dynamic range signatures end up the loudest as shown by the red line

in Fig 1, right. Audio production is therefore trapped in a downwards spiral, going for

ever decreasing dynamic range. By now, the pop music industry is “right of” In Flight

Entertainment in the illustration.

LM6/LM2 offers a standardized option: The visualization of loudness history and DRT

in combination with long-term descriptors from production onwards, is a transparent

and well sounding alternative to our current peak level obsession. Not only for music,

but also in production for broadcast or film. The engineer, who may not be an audio

expert, should be able to identify and consciously work with loudness developments

within the limits of a target distribution platform, and with predictable results when the

program is transcoded to another platform.

LM6 therefore color codes loudness so it’s easy to identify target level (green), below

the noisefloor level (blue), or loud events (yellow), see Fig 2.

Fig 2

Color coding and target loudness for

selected broadcast platforms based on a

consumer’s Dynamic Range Tolerance,

DRT. The aim is to center dynamic range

restriction around average loudness,

in this case the –20 dB line, thereby

automatically avoiding to wash out

differences between foreground and

background elements of a mix.

Note how different the broadcast

requirements are from those of Cinema.

When production engineers realize the

boundaries they should generally stay

within, less dynamics processing is

automatically needed during distribution,

and the requirement for maintaining

time-consuming meta-data at a broadcast

station is minimized.

In broadcast, the goal is to use the same loudness measure for: Production, Ingest,

Linking, Master Control Processing and Logging - thereby ensuring better audio

quality not only in DTV audio, but across all broadcast platforms. LM6 and TC

processing can co-exist with PPM meters, VU meters or Dolby’s LM100 meter.

LM6 greatly increases the usability of LM100 in production environments because

it provides running status, and gives a standardized and intuitive indication of both

dialog and non-dialog program.