TC Electronic Harmony4 TDM - Manual (Page 21)

21
Scale Types and Voicings Table
Lead V
oice
C
C#
D
Eb
E
F
F#
G
G#
A
Bb
B
MAJ1
3rd
Above
E
nc
F
nc
G
A
nc
B
nc
C
D
D
5th
Above
G
nc
A
nc
B
C
nc
D
nc
E
F
F
MAJ2
3rd above
E
nc
F
nc
G
A
nc
C
nc
C
D
D
5th above
G
nc
A
nc
C
C
nc
E
nc
E
F
F
MAJ3
3rd above
E
nc
F
nc
G
A
nc
Bb
nc
C
D
D
5th above
G
nc
A
nc
Bb
C
nc
D
nc
E
F
F
MIN1
3rd above
Eb
nc
F
G
nc
Ab
nc
Bb
C
nc
D
nc
5th above
G
nc
Bb
Bb
nc
C
nc
D
Eb
nc
F
nc
MIN2
3rd above
Eb
nc
F
G
nc
A
nc
Bb
C
nc
D
nc
5th above
G
nc
A
Bb
nc
C
nc
D
Eb
nc
F
nc
MIN3
3rd above
Eb
nc
F
G
nc
Ab
nc
B
C
nc
D
nc
5th above
G
nc
A
Bb
nc
C
nc
D
Eb
nc
F
nc
The table at left illustrates the how the six scale types
differ. It shows the third and fifth intervals for input
notes in the key of C.
The bold line of notes at the top represent the sung or
input note.
The symbol “nc” means no change, in that the harmo-
ny voice will simply stay on the previous note until the
lead voice changes to a non “nc” note.
The following table shows the range of harmony
voicings available in Scale mode.
+2 Octaves
++7
++6
++5
++4
++3
++2
+1
+7
+6
+5
+4
+3
+2
Unison
-2
-3
-4
-5
-6
-7
-1 Octaves
- -2
- -3
- -4
- -5
- -6
- -7
-2 Octaves