Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System (UC90: 941 to 960 MHz) User Manual
Page 464
![background image](https://www.manualsdir.com/files/868001/content/doc464.png)
Slope: Sets the knee slope. (-5 (gentle) to +5 (steep))
Color Mode
Sets type and level of colors.
In [Color Mode], only [BT.2020] and [709] are available when [Gamma] is set to [HLG], [HLG1], [HLG2], or [HLG3].
Movie: Suitable colors when [Gamma] is set to [Movie].
Still: Suitable colors when [Gamma] is set to [Still].
Cinema: Suitable colors when [Gamma] is set to [Cine1] or [Cine2].
Pro: Similar color tones to the standard image quality of Sony professional cameras (when combined with ITU709
gamma)
ITU709 Matrix: Colors corresponding to ITU709 standard (when combined with ITU709 gamma)
Black & White: Sets the saturation to zero for shooting in black and white.
S-Gamut: Setting based on the assumption that the pictures will be processed after shooting. Used when [Gamma] is set
to [S-Log2].
S-Gamut3.Cine: Setting based on the assumption that the pictures will be processed after shooting. Used when
[Gamma] is set to [S-Log3]. This setting allows you to shoot in a color space that can easily be converted for digital
cinema.
S-Gamut3: Setting based on the assumption that the pictures will be processed after shooting. Used when [Gamma] is
set to [S-Log3]. This setting allows you to shoot in a wide color space.
BT.2020: Standard color tone when [Gamma] is set to [HLG], [HLG1], [HLG2], or [HLG3].
709: Color tone when [Gamma] is set to [HLG], [HLG1], [HLG2], or [HLG3] and movies are recorded with HDTV color
(BT.709).
Saturation
Sets the color saturation. (-32 to +32)
Color Phase
Sets the color phase. (-7 to +7)
Color Depth
Sets the color depth for each color phase. This function is more effective for chromatic colors and less effective for
achromatic colors. The color looks deeper as you increase the setting value towards the positive side, and lighter as you
decrease the value towards the negative side. This function is effective even if you set [Color Mode] to [Black & White].
[R] -7 (light red) to +7 (deep red)
[G] -7 (light green) to +7 (deep green)
[B] -7 (light blue) to +7 (deep blue)
[C] -7 (light cyan) to +7 (deep cyan)
[M] -7 (light magenta) to +7 (deep magenta)
[Y] -7 (light yellow) to +7 (deep yellow)
Detail
Sets items for [Detail].
Level: Sets the [Detail] level. (-7 to +7)
Adjust: The following parameters can be selected manually.
Mode: Selects auto/manual setting. (Auto (automatic optimization) / Manual (The details are set manually.))
V/H Balance: Sets the vertical (V) and horizontal (H) balance of DETAIL. (-2 (off to the vertical (V) side) to +2 (off to
the horizontal (H) side))
B/W Balance: Selects the balance of the lower DETAIL (B) and the upper DETAIL (W). (Type1 (off to the lower
DETAIL (B) side) to Type5 (off to the upper DETAIL (W) side))
Limit: Sets the limit level of [Detail]. (0 (Low limit level: likely to be limited) to 7 (High limit level: unlikely to be limited))
Crispning: Sets the crispening level. (0 (shallow crispening level) to 7 (deep crispening level))
Hi-Light Detail: Sets the [Detail] level in the high intensity areas. (0 to 4)
To copy the settings to another picture profile number
464
- DWN-02N/30A Handheld Mic Transmitter for DWX Systems (A: 566 to 607 MHz) VCL-ECF2 Fisheye Converter For SEL16F28 and SEL20F28 UWP-D22 Camera-Mount Wireless Cardioid Handheld Microphone System (UC14: 470 to 542 MHz) PCM-A10 High-Resolution Audio Recorder UTX-P40 Wireless Plug-On Transmitter (UC25: 536 to 608 MHz) 16mm Fisheye Conversion Lens for FE 28mm f/2 Lens ZV-E1 Mirrorless Camera (White) ZV-E10 Mirrorless Camera (Black) LBN-H1 Airpeak Battery Station FX6 Full-Frame Cinema Camera (Body Only)