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Eq84 – Overloud Gem Comp76 FET Compressor and Limiter Plug-In User Manual

Page 17

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OVERLOUD GEMS

EQ84

EQ84

EQ84

is modeled after a masterpiece British EQ of the recent past. It has great character and per-

sonality with its biting and aggressive vibe, which gives the sound great clarity and presence.

The graphic interface includes the red input gain knob on the left, then four vertical pairs of
black knobs and buttons to control frequencies and bands, and then two blue knobs for high
and low pass

fi

lters. Finally two more buttons on the right side to switch the EQ section on/o

and invert the signal phase.

INPUT GAIN

- The red knob controls the input gain using double range: MIC and LINE. Both ranges

go from –12

 

dB to +12

 

dB, but the mic range also adds the modeling of the mic-preamp trans-

former and saturation.

HIGH SHELF BAND

- Adjusts the high frequency with a variable control ranging from 10

 

kHz to

16

 

kHz (lower knob), and the level with a variable control ranging from –16 dB to +16 dB (upper

knob).
The

ON

button enables/disables the high fre-

quency processing, while

CUE

does some-

thing almost the opposite, allowing you to to
sort of “solo”, the frequency setting, to hear
which frequencies is controlling.

MID BAND 1

- Adjusts one of the two available

mid band frequencies with a variable 0.35

 

kHz

to 7.2

 

kHz control and a variable -16

 

dB to

+16

 

dB control. Here too there are

ON

and

CUE

buttons to enable/disable the mid band and to

cue the mid band respectively.

Hi Q

switches the bandwidth of the mid frequency

fi

lter using a

narrower range when on.

MID BAND 2

- Another mid band, exactly the same as

MID BAND 1

.

LOW SHELF BAND

- Adjusts the low frequency with a variable control ranging from 35

 

Hz to 220

 

Hz,

and the level with a variable control ranging from –16

 

dB to +16 dB.

ON

and

CUE

buttons are

present here, too.

15

The original hardware only allowed

fi

xed preset values for all

frequency controls. EQ84 has smooth variable controls instead,
with “magnetic snaps” corresponding to the original switch steps.
When those “preset” frequencies are selected, the modeling is
faithful to the original. EQ84, however, lets you smoothly access
all intermediate values as well, to accomodate a far wider range
of settings.