Ifb input, Cue sources, Headphone output – Studio Technologies 220 2004 User Manual
Page 7

Issue 2, August 2004
Model 220 User Guide
Page 8
Studio Technologies, Inc.
hybrid functions. With these modes the 
operation of the main and talkback out-
puts are not impacted. This allows the 
talkback 2 button to control the state of 
the Model 220’s auxiliary relay, making 
specialized implementations possible.
IFB Input
A broadcast-standard “wet” (DC with au-
dio) IFB circuit can be directly connected 
to the Model 220’s IFB input. Originated 
by sources such as the RTS™ 4000-series 
IFB system or IFB interface devices from 
Studio Technologies, the connected IFB 
circuit can provide DC power to operate 
the Model 220 as well as two channels of 
cue audio.
Cue Sources
The Model 220 allows up to four audio 
sources to be selected for routing to the 
headphone output. The sources are IFB 
channel 1, IFB channel 2, line input 1, and 
line input 2. Each source can be individu-
ally assigned to the left channel, right 
channel, or both left and right. This allows 
a wide variety of stereo and mono head-
phone mixes to be created.
The two audio signals associated with 
the IFB input can be assigned to the 
headphone output. Originating in produc-
tion trailers, control rooms, or remote 
locations, these unbalanced sources 
normally provide DC power and program-
with-interrupt audio on one channel and 
program-only audio on the other.
For application flexibility, two line-level 
audio sources can also be connected 
to the Model 220. Possible signal sources 
include off-air receivers, wireless IFB 
systems, and audio consoles. The con-
nected signals can be from two indepen-
dent sources, or could be a stereo audio 
feed such as would be associated with a 
broadcast music event. Two trim poten-
tiometers, located on the bottom of the 
unit, allow signals with wide nominal audio 
levels to be cleanly interfaced.
Headphone Output
Two rotary controls are provided for user 
adjustment of the headphone output 
levels. For application flexibility, the actual 
function of the two “pots” is configurable. 
For traditional on-air sports applications 
they can be selected to the dual level con-
trol mode, which provides independent 
control of the left and right channel vol-
ume. For use with stereo cue signals, 
or to support user preference, the level/
balance mode can be selected. In this 
mode one control adjusts the overall level 
of both the left and right channels, while 
the other allows adjustment of the left/
right level balance. To help minimize the 
chance of broadcast cues being missed, 
both level control modes can be con-
figured so that a minimum headphone 
output level is maintained. Alternately, the 
headphone output can be set to fully 
mute when the controls are at their mini-
mum position.
The headphone output was designed 
to meet the needs of contemporary head-
phones and headsets. Specifically, the 
output circuits act as voltage, rather than 
power, drivers. In this configuration they 
can provide high output levels with very 
low distortion and noise, along with mini-
mal current consumption. The output cir-
cuits are configured to safely drive stereo 
or mono loads. This ensures that all types 
of headphones, headsets, and earpieces 
can be directly connected.
