Wisdom Audio Series SCS - Manual (Page 12)

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Reducing the room’s inherent problems to this degree provides a huge advan-
tage. It allows the SC-1 System Controller to put its considerable abilities to work
on perfecting your system’s response, rather than on trying to perform major
corrective surgery.
Room Treatment Rectangular rooms have six reflecting surfaces (four walls, ceiling and floor)
that reflect sound to the listener, after various delays introduced by the indirect
routes the sounds take on their way to the listener. These first reflections are
particularly damaging to sound quality. Looking at the simplest case of stereo
reproduction, you have a minimum of twelve first reflection points in your room
that deserve some attention.
Unfortunately, it is often difficult to do much about the ceiling and floor reflec-
tions, even though they are arguably the most destructive. (The minimization of
these reflections is one of the strongest arguments for the tall, line source loud-
speakers that Wisdom Audio builds.) This leaves you with eight “first reflections”
that you should consider minimizing somehow. These points are easily found by
having an assistant slide a small mirror along the four walls of the room, while
you sit at the listening position. Any place on the wall where you can see a re-
flection of any speaker is a first reflection point. Concentrate on the first reflec-
tions for the Left and Right speakers first.
If you can, arrange to apply either absorption or diffusion at these eight points
(don’t forget the wall behind you). Absorption can be as simple as heavy, insu-
lated drapes; diffusion can be provided by a well-stocked bookcase with books
of varied sizes. Alternatively, you can buy purpose-designed room treatments
(some sources listed under References, below).
The important things to remember are these: a good room should have a bal-
ance of absorption and diffusion; and if you are going to treat only a few areas
of the room, the first reflection points are the most important ones to treat.
Professional Acoustic Design Does this all sound too complicated? For good reason: it is complicated.
The difference between the average listening room and one that is professionally
designed and implemented is huge. A great listening room will disappear to an
astonishing degree, letting the experiences captured in your recordings speak to
you directly. A well-designed room is also quieter and more comfortable. It can
easily become a favorite retreat for peace and rejuvenation.
If you decide to investigate the possibility of improving your room with the help
of a professional, it is important to find someone who focuses on residential
spaces. Most acousticians are trained to deal with large spaces — airports, au-
ditoriums, lobbies in commercial buildings, etc. The problems seen in “small”
rooms (residential spaces) are quite different, and outside the experience of most
acousticians. Find someone who specializes in and has a great deal of experi-
ence designing home studios, home theaters, and the like. Your Wisdom Audio
dealer may be such a person; failing that, he/she can help you find such a pro-
fessional.
References Books on Acoustics:
The Master Handbook of Acoustics, F. Alton Everest, TAB Books
Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and
Rooms by Dr. Floyd Toole, Focal Press