beautypg.com

Triton seven owner’s manual, Positioning triton as left/right fronts, Positioning triton as surrounds – GoldenEar Triton Seven User Manual

Page 6: Speaker break-in

background image

Triton Seven Owner’s Manual

GoldenEar Technology

Triton Seven Manual

Positioning Triton as Left/Right Fronts

To ensure the best performance possible, observe the following placement
guidelines:

Accurate Timbre: For the most accurate and natural timbre, speakers’

high-frequency drivers should be at approximately ear level.

Balanced Bass: Placing speakers in corners will over-emphasize bass and

reduce overall clarity. If possible, position speakers 8 in (20 cm) or more

from the wall behind the speaker and as much as possible from either side
wall. This will ensure better bass performance and optimal midrange clarity.

Best Imaging: Measure the distance from your main listening area to the
left front speaker (we’ll call this distance “X”). For optimal imaging and
largest soundstage, place speakers “X” distance apart from each other

(and no less than

3

/

4

of that distance —

3

/

4

of “X”). To further optimize imaging, turn speakers inward so they point

toward the listening position with their axes crossing just behind it.

Positioning Triton as Surrounds

When used as surround speakers, Triton speakers may be located on the side or behind the listeners. When used
on the sides, take care never to locate the speakers forward of the listeners (A). If the speakers are placed along
the rear wall as surrounds, it is suggested that they be positioned fairly wide apart if possible. For instance, if there

is a couch in the center of the rear wall on which the listeners will sit, try to position the speakers wider apart than

the couch (B).

Speaker Break-in

Your new Triton loudspeaker system should sound good right out of the box; however, an extended break-in

period of 40-60 hours or more of normal playing time is required to reach full audiophile performance

capability. Break-in allows the driver suspensions to work-in and crossover components to “heal,” resulting

in fuller and tighter bass, a more open “blossoming” midrange and smoother high frequency reproduction.

6