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Millennia AD-R96 MADI User Manual

Millennia, Ad-r96 madi user guide, Media & music

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Millennia

Millennia Media, Inc.

4600 Missouri Flat Road

Placerville, CA 95667

http://www.mil-media.com

(530) 647-0750

Fax (530) 647-9921

Media & Music

Systems

AD-R96 MADI User Guide

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Protecting Against Electrostatic Discharge

Static electricity can harm delicate

components on the AD-R96 MADI module.

To prevent static damage, discharge static

electricity from your body before you touch

any electronic components. You can do so

by touching an unpainted metal surface on

the HV-3R’s chassis.

Unplug the HV-3R’s AC power cord

before inserting or removing the

AD-R96 MADI module

SYNC LEDs – Indicates which MADI input is

active, locked and in sync. The left LED is

for optical, the right for coax connections.

Lock LED – Indicates when the internal AD

converter is locked to the MADI processor.

AES Clock OUTs – Not normally used in a

MADI system. Word clock or AES (J4/J5 on

board) is output on the BNC connectors.

AES Digital OUT – Eight channels of AES

format digital audio wired to Tascam

standard pin-outs. Always active. The AES

data is clocked by the MADI stream

Clocking and Sample Rate - the AD-R96

MADI defaults to 48kHz when there is no

MADI input connected. It will follow the

clock of the incoming MADI stream at 44.1,

48, 88.2 and 96kHz.

MADI channel counts are reduced by half

when running at 96kHz sample rates. Be

sure to take this into account when planning

your system capacity.

MADI OUT and IN – Multi-mode optical

fiber with an SC-Plug (IEC 874-19) or 75

ohm coax with a BNC connector.

The optical connectors are under the

removable black protective cover and are

not labeled. Outputs are on the left, inputs

on the right.

Optical and coax Out and In can be

connected simultaneously. The system will

automatically switch between whichever

input is actively carrying data. Outputs are

always active

MADI Throughput Delay – Latency is

three samples per MADI card at 48kHz and 6

samples at 96kHz (the amount of time is the

same for either).

A 64 channel system would have 21(42)

samples between channel 1 and 64. Take

this into account when using stereo mics.

Keep them in the same preamp if possible.