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Mode, Ca112d block diagram – Crate Amplifiers CA112D User Manual

Page 5

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On the
Rear Panel:

The DSP
Section:

Return

Send

Low Z

Bal.

Gnd

Lift

High Z

Bal.

Reverb/

Chorus

Line Outputs

Tweeter

Effects

Loop

Foot

Switch

Level

0 10

Level

-50dB 0dB

-6dB

35

34

32

31

30

27

28

33

27: Footswitch.

Connect the supplied two-button footswitch here for

remote on/off control of the internal reverb and chorus. (When connect-

ed, the footswitch overrides the front panel chorus on/off switch.)

Note:

This is a STEREO jack: tip controls the chorus, ring controls the

reverb, sleeve is ground. Use only a footswitch equipped with a stereo

1/4” plug.

28: Effects Loop Send.

When using an external signal processor, connect

this jack to the input of the effect by means of a shielded signal cable.

29: Effects Loop Return.

When using an external signal processor, connect

this jack to the output of the effect by means of a shielded signal cable.

30: High Z Bal.

Use this jack to connect a high impedance, line level signal

to a house sound board, a recording console or an external power ampli-

fier by means of an 1/4” stereo plug-terminated cable. (Ring is signal +,

tip is signal -, and sleeve is ground.)

31: Low Z Bal.

Use this jack to connect a low impedance, line level signal to

a house sound board, a recording console or an external power amplifi-

er by means of an XLR-terminated cable. (Pin 1 is ground, pin 2 is signal

+, and pin 3 is signal -.)

32: Ground Lift.

This switch, when depressed, electronically disconnects

the low Z balanced output jack’s chassis ground connection. If you expe-

rience excessive noise when using the low Z balanced output jack,

depress this switch.

33: Line Out Level.

Use this control to adjust the output level of the line out

signal. (This control works independently from the amplifier’s master

level control.)

34: Tweeter Level.

Use this control to adust the signal output level from the

CA112D’s internal tweeter. Rotating this control counter-clockwise

reduces the tweeter’s output level.

Not Shown:

Power cord.

Connect the end of this cord to a suitable source of line volt-

age. Refer to the voltage information on the back of the amplifier for its

voltage and current requirements.

Note:

This is a grounded plug. To avoid the possibility of electric shock,

DO NOT defeat the ground connection in any way!

The CA112D features Crate’s On-Board Digital Signal Processing

(DSP) technology that was designed specifically for use with acoustic
instruments and vocals. This provides a large selection of digital
reverbs, effects and delays. Select the type of effect desired by rotating
the Mode control (#22). This control is divided into five sections: Small
Area Reverbs (SAR), Large Area Reverbs (LAR), Special Reverbs
(SPR), Delays (DLY) and Multiple Effects (Multi).

CA112D Block Diagram:

effects

line out

master

instrument

channel

input

aux channel

active

piezo

freq cut

filter

gain

low mid cntr

peak

high

rev/

effect

send

vocal/aux

channel

low-z

input

hi-z

input

phantom

power

tones

80 330 1k

Hz

4k 10k

level

graphic EQ

rev/

effect

send

hi-z

input

gain

gain

effect

return

effect

return

master

level

50w

25w

high pass

hi freq

driver

dual

voice coil

low freq

driver

reverb

return

effects

send

low-z

bal.

gnd

lift

hi-z

bal.

level

line out

rev/

effect

send

50w

depth rate

chorus

on

off

low pass

foot

switch

DSP

mode

The following chart provides a list of the DSP settings along with a brief
description of each effect.

SAR:

Small Room

8’ x 8’ empty room w/hardwood floor

Small Rehearsal Hall

20’ x 40’ hall, wood floors, hard walls

LAR:

Large Hall

50’ x 100’ hall, about 50 persons

Concert Hall

5000-seat hall, full crowd

SPR:

Plate Reverb

Simulates studio steel plate reverb

Spring Reverb

Simulates multi-spring reverb tank

DLY:

Slapback, short

125ms delay + reverb

Slapback, Med-short

240ms delay + reverb

Slapback, Medium

350ms delay + reverb

Slapback, Long

557ms delay - 630’ travel time

Multi: Short Med. Surface

280ms delay w/21.8% regen + reverb

Medium Hard Surface

335ms delay w/26.5% regen + reverb

Chor-Delay

400ms delay with modulation

Chor-Verb

Hall reverb w/modulated pre-delay

Slap-Verb

Medium hall w/200ms pre-delay

Instrument Doubler

Simulates second track slightly out-of-sync

SPR

LAR

SAR

DLY

Multi

Mode