Allen&Heath ZED-R16 - Manual (Page 35)

Allen & Heath 35 ZED-R16 User Guide
MIC
INSERT
LINE
48V
1
IN
-15 +15
60 40 -14 6
30 40
50
0
20
GAIN
HPF
100Hz
HM
0.8 6 2k
700
400Hz
1k
6k
18k
4k
-15 +15
Q
F
G
LM
0.8 6 120
30
18Hz
60
600
1k
300
-15 +15
Q
F
G
-15
LF
+15
80Hz
HF
12k
EQ IN
+6
AUX1
PRE
O O
+6
AUX2
PRE
O O
+6
AUX3
POST
O O
+6
AUX4
POST
O O
PAN
L R
=
MUTE
PFL
HI
SIG
L-R
Post-EQ
5
5
0
O O
10
DIG RET
DIG RET
Pre-INS
Post-EQ
FADER
=MIDI
10
DIG SND
1
1
1
MODES OF OPERATION
RECORDING PRE-EQ FROM AN ANALOGUE MIX
The basic mode for ZED-R16 with all the configuration switches in the up position (not pressed). ZED-R16 can be oper-
ated as a traditional analogue mixer, using the main L-R mix as a stereo monitor mix for the multitrack recording, or as a
PA mix if working live. A clean recording feed will be sent on the FireWire bus or the ADAT outputs for recording each
channel, sourced from just after the pre-amp and hi-pass filter.
ADC
ANALOGUE SIGNAL
DIGITAL SIGNAL
(FIREWIRE OR ADAT)
ALL UP
ANALOGUE MIX
The clean pre-eq channel signal is available
to record either in a Digital Audio Work-
station or by using recording equipment
equipped with ADAT inputs.
Analogue signal converted to digital after the Pre-amp
and sent to the FireWire Bus or ADAT output.
Analogue signal continues
through channel path to fader &
routing.