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A mono input and eq, Using the filter, Ml5000 user guide – Allen&Heath ML5000 USER GUIDE User Manual

Page 22: High pass filter

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22

ML5000 User Guide

A MONO INPUT and EQ

A1 +48V. Switches +48VDC to the channel input

XLR for powering microphones or DI boxes that
need phantom power. The power is current limited
through 6800 ohm resistors to pins 2 and 3.

WARNING Do not connect unbalanced

sources or cables to inputs with phantom power
selected. To avoid loud clicks always mute the
channel before switching +48V on or off and
when plugging or unplugging microphones.

A2 GAIN. Adjusts the input sensitivity to match

the connected source to the internal 0dBu operating
level of the channel. Provides a variable 50dB
range from +10 to +60dB gain. The gain should be
set so that the channel meter averages ‘0’ with
loudest moments lighting ‘+6’. Reduce gain if the
red peak meter lights.

A3 PAD. Attenuates the input signal by 20dB for

connection to high level microphone or line sources.
When pad is selected the gain control adjusts from
–10dB attenuation to +40dB gain.

A4 POLARITY. Reverses the polarity of the

input signal. This is used to correct reverse wired
cables or sources, and can be effective in reducing
phasing problems between microphones or acoustic
feedback between the microphone and
loudspeakers.

A5 HPF FREQUENCY. Adjusts the cut off

frequency of the high pass filter between 20Hz and
400Hz to reduce low frequency source noise. The
filter attenuates frequencies below cut off by 12dB
per octave.

A6 HPF IN. Switches the high pass filter in or

out. When switched out the response extends to
lower than 10Hz.

Using the Filter

Switch in the filter and adjust the cut off frequency
to clean up sources that do not have much bass
content, for example drum kit overheads (set to
400Hz), reduce proximity popping on vocals (set
around 150Hz), reduce handling noise and stage
rumble, or protect the speakers from very low
frequency energy (set around 30 to 50Hz). Switch
out to preserve full sub energy for low frequency
sounds such as kick drum, bass and special effects.

10k

1kHz

100

30k

-35

-40

10

-30

-25

-20

-15

-10

-5

0dB

+5

+10

20Hz

400Hz

HIGH PASS FILTER

+48V

- 10 10

GAIN

20

40

60

30

20Hz

400

100

50

200

O

PAD

HPF

40 20dB

Q

-15

+15

-15

+15

-15

+15

7kHz

3k

2kHz

20kHz

10k

HF

100Hz

50

20Hz

200Hz

150

LF

1kHz

LM

Q

-15

+15

HM

EQ IN

0.6

2.5

1.2

0.6

2.5

1.2

3kHz

500Hz

700

1k

15k

5k

7k

180

45

35Hz

60

450

300