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Eurorack ub1204, Ub1204fx – Behringer UB1204FX-PRO User Manual

Page 7

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7

EURORACK UB1204

-PRO

/UB1204FX

-PRO

LEVEL

For level matching, the stereo inputs feature a LEVEL switch which

selects between +4 dBu and -10 dBV. At -10 dBV (home-recording

level), the input is more sensitive than at +4 dBu (studio level).

2.2.2 Equalizer stereo channels

The equalizer of the stereo channels is, of course, stereo. The

filter characteristics and crossover frequencies are the same

as those of the mono channels. A stereo equalizer is always

preferable to two mono equalizers if frequency correction of a

stereo signal is needed. There is often a discrepancy between

the settings of the left and the right channels when using separate

equalizers.

2.2.3 Aux sends stereo channels

In principle, the aux sends of the stereo channels function in

just the same way as those of the mono channels. As aux send

paths are always mono, the signal on a stereo channel is first

summed to mono before it reaches the aux bus.

2.2.4 Routing switch, solo and channel fader

BAL

The function of the BAL(ANCE) control corresponds to the

PAN control in the mono channels.

The balance control determines the relative proportion between

the left and right input signals before both signals are routed to

the main stereo mix bus.

The MUTE/ALT 3-4 switch, the MUTE-LED, the PEAK-LED, the

SOLO switch and the channel fader function in the same way

as the mono channels.

2.3 Connector panel and main section

Whereas it was useful to trace the signal flow from top to

bottom in order to gain an understanding of the channel strips,

we now look at the mixing console from left to right. The signals

are, so to speak, collected from the same point on each of the

channel strips and then routed to the main section all together.

2.3.1 Aux sends 1 and 2

Fig. 2.6: AUX SEND controls of the main section

A channel signal is routed to aux send bus 1 if the AUX 1

control is turned up on the corresponding channel.
AUX SEND 1 (MON)

The AUX SEND control MON acts as master control for aux

send 1 and determines the level of the summed signal. In the

UB1204FX-PRO, the MON control is called AUX SEND 1.
AUX SEND 2 (FX)

Similarly, the FX control (AUX SEND 2) determines the level for

aux send 2.
SOLO

You can use the SOLO switch (UB1204FX-PRO only) to

separately monitor the aux sends via the CONTROL ROOM/

PHONES outputs and check these with the level meters.

+

If you want to monitor the signal of just one AUX

bus, none of the other SOLO SWITCHES should be

pressed and the MODE switch must be in the SOLO

position (not pressed down).

2.3.2 Aux send connectors 1 and 2

Fig. 2.7: Aux send connectors

AUX SEND 1

If you use aux send 1 pre-fader, you would usually connect

the AUX SEND 1 connector to monitors via a power amp (or an

active monitor system). If you use aux send 1 post-fader, proceed

as described under aux send 2.
AUX SEND 2

The AUX SEND 2 connector outputs the signal you picked up

from the individual channels using the FX control. You can connect

this to the input of an effects device in order to process the FX

bus signal. Once an effects mix is created, the processed signal

can then be routed from the effects device output back into the

STEREO AUX RETURN connectors.

2.3.3 Stereo aux return connectors

Fig. 2.8: Stereo aux return connectors

STEREO AUX RETURN 1

The STEREO AUX RETURN 1 connectors generally serve as

the return path for the effects mix generated using the post-

fader aux send. This is where you connect the output signal of

the external effects device. If only the left connector is used, the

AUX RETURN automatically operates in mono.

+

You can also use these connectors as additional

line inputs.

STEREO AUX RETURN 2

The STEREO AUX RETURN 2 connectors serve as the return

path for the effects mix generated using the FX control. If these

connectors already function as additional inputs, you can route

the effects signal back into the console via a different channel,

with the added benefit that the channel EQ can be used to adjust

the frequency response of the effects return signal.

+

In this instance, the FX control of the channel being

used as an effects return should be turned fully

counterclockwise, otherwise feedback problems

could occur!

+

If you wish to use the internal effects processor,

no connectors should be plugged into STEREO AUX

RETURN 2.

2. CONTROL ELEMENTS AND CONNECTORS

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