beautypg.com

V-ampire/v-amp pro/v-amp 2, Effects processor, 1 wah wah – Behringer V-AMP PRO User Manual

Page 13: 2 effect descriptions

background image

13

V-AMPIRE/V-AMP PRO/V-AMP 2

6€ƒ†Г ГГ %

Ж

G‚ˆq†ƒrhxr…Æv€ˆyh‡v‚

AMERICAN BLUES

! #Ñà ÅÃWDIU6B@Ã76TT

MODERN CLASS A

( !Ñà !ÅÃVTÃ8G6TTÃ6

TWEED COMBO

Г‘Г'ÅÃWDIU6B@ÃUX@@9

CLASSIC CLEAN

' !Ñà !ÅÃUXDIÃ8PH7P

BRIT. BLUES

! #Ñà !ÅÃWDIU6B@Ã"

BRIT. CLASS A

!Ñà !ЕГ7SDUÃ%&

BRIT. CLASSIC

! #Ñà !ÅÃWDIU6B@Ã"

BRIT. HI GAIN

! #Ñà !ÅÃWDIU6B@Ã"

RECTIFIED HI GAIN

$#Ñà !ЕГW6HQГ8VTUPH

MODERN HI GAIN

$#Ñà !ЕГW6HQГ8VTUPH

FUZZ BOX

# #Ñà !ÅÃPAAÃ6YDT

ULTIMATE V-AMP

$#Ñà !ЕГW6HQГ8VTUPH

DRIVE V-AMP

$#Ñà !ЕГW6HQГ8VTUPH

CRUNCH V-AMP

$#Ñà !ЕГW6HQГ8VTUPH

CLEAN V-AMP

$#Ñà !ЕГW6HQГ8VTUPH

TUBE PREAMP

I‚Ãphivr‡Ã†v€ˆyh‡v‚Ã

s‚…ȆrÐv‡uɂphy†

6€ƒ†Ã &ГГ"!

Ж

G‚ˆq†ƒrhxr…Æv€ˆyh‡v‚

AND DELUXE

! #Ñà ÅÃWDIU6B@Ã76TT

CUSTOM CLASS A

( !Ñà !ÅÃVTÃ8G6TTÃ6

SMALL COMBO

Г‘Г'ÅÃWDIU6B@ÃUX@@9

BLACK TWIN

' !Ñà !ÅÃUXDIÃ8PH7P

AND CUSTOM

! #Ñà !ÅÃWDIU6B@Ã"

NON TOP BOOST

!Ñà !ЕГ7SDUÃ%&

CLASSIC 50 W

" #Ñà !ÅÃTU6I96S9Ã&'

BRIT. CLASS A 15 W

% Ñà !ЕГ7SDUÃ%

RECTIFIED HEAD

$#Ñà !ЕГW6HQГ8VTUPH

SAVAGE BEAST

" #Ñà !ÅÃTU6I96S9Ã&'

CUSTOM HI GAIN

$#Ñà !ЕГW6HQГ8VTUPH

ULTIMATE PLUS

$#Ñà !ЕГW6HQГ8VTUPH

CALIF. DRIVE

# Ñà !ÅÃHD9Ã8PH7P

CUSTOM DRIVE

$ Ñà !ЕГ7G68FA68@

CALIF. CLEAN

# Ñà !ÅÃHD9Ã8PH7P

CUSTOM CLEAN

$ Ñà !ЕГ7G68FA68@

Tab. 5.2: Loudspeaker/amp simulation default settings

6. EFFECTS PROCESSOR

A special feature of your V-AMPIRE/V-AMP PRO/V-AMP 2 is

its built-in multi-effects processor module offering 16 different

groups of first-class effects such as chorus, flanger, delay,

auto wah as well as various effects combinations.

The appendix gives an overview of all MIDI data transmitted

and received by your device.

+

The standard operating mode of the multi-effects

processor is stereo, so you can use stereo effects

for recording purposes via the LINE OUT or play in

stereo using a second amplifier.

You can adjust up to 3 effects parameters on the V-AMPIRE/

V-AMP PRO/V-AMP 2 by turning the EFFECTS control; by turning

the EFFECTS control holding down the TAP button, and simply by

pressing the TAP button while in time to the music.

+

To match speed-based effects to the tempo of the

music, press the TAP button at least twice in time

to the music.

@AA@8UT

p‚‡…‚yÐv‡uÃ

U6QÃxr’Ã

q‚

1 ECHO

Mix

Feedback

Delay Time

CC49, val 1

CC54

CC53

CC50+51

2 DELAY

Mix

Feedback

Delay Time

CC49, val 0

CC54

CC53

CC50+51

3 PING PONG

Mix

Feedback

Delay Time

CC49, val 2

CC54

CC53

CC50+51

4 PHASER/DELAY

Delay Mix

Mod. Mix

Delay Time

CC55, val 1 + CC49, val 0

CC54

CC59

CC50+51

5 FLANGER/DELAY 1

Delay Mix

Mod. Mix

Delay Time

CC55, val 5 + CC49, val 0

CC54

CC59

CC50+51

6 FLANGER/DELAY 2

Delay Mix

Mod. Mix

Delay Time

CC55, val 5 + CC49, val 2

CC54

CC59

CC50+51

7 CHORUS/DELAY 1

Delay Mix

Mod. Mix

Delay Time

CC55, val 3 + CC49, val 0

CC54

CC59

CC50+51

8 CHORUS/DELAY 2

Delay Mix

Mod. Mix

Delay Time

CC55, val 3 + CC49, val 2

CC54

CC59

CC50+51

9 CHORUS/COMPRESSOR

Sense

Mod. Mix

Modulation Speed

CC55, val 4 + CC44, val 1

CC45

CC59

CC58

10 COMPRESSOR

Sense

Attack

-

CC44, val 1

CC45

CC46

11 AUTO WAH

Depth

Speed

-

CC44, val 2

CC45

CC46

12 PHASER

Mix

Feedback

Modulation Speed

CC55, val 1

CC59

CC58

CC56

13 CHORUS

Mix

Depth

Modulation Speed

CC55, val 4

CC59

CC57

CC56

14 FLANGER

Mix

Feedback

Modulation Speed

CC55, val 6

CC59

CC58

CC56

15 TREMOLO

Mix

-

Modulation Speed

CC55, val 2

CC59

CC56

16 ROTARY

Mix

Depth

Modulation Speed

CC55, val 0

CC59

CC57

CC56

U6QÃxr’

@

ss

rp

‡ÃI

‚

@ssrp‡

@AA@8UT

p‚‡…‚y

Tab. 6.1: Effects and MIDI controllers

+

Table 6.1 shows the MIDI controllers for the

corresponding parameters. The settings are made

via MIDI. A detailed list of all controllable MIDI

parameters will be available free of charge on the

BEHRINGER internet site: www.behringer.com.

6.1 Wah Wah

The MIDI function enables you to use an additional Wah Wah

effect. The optimum control of this effect is achieved by using a

MIDI foot controller with expression pedal, e.g. our BEHRINGER

MIDI FOOT CONTROLLER FCB1010.

+

Adjust the filter characteristic and grade in the DRIVE

menu by simultaneously pressing TAP and turning

the EFFECTS control (see also

B).

6.2 Effect descriptions

The following section contains short descriptions of the effects

that can be produced using the multi-effects processor.

6.2.1 Reverb and delay algorithms

REVERB: Reverb is still the most important effect for mixing or

live performance. That’s why we at BEHRINGER make a point of

giving you as many as nine different reverb programs so that

you can use the most suitable reverb program for any situation.

The reverb effect can be added separately to all the other effects

(see chapter 6.2).

ECHO: Echo is similar to the stereo delay effect in that it is a

delayed repetition of the input signal. The main difference is that

the high-frequency content of the repeated signals steadily

decreases. This simulates a tape delay used in the pre-digital

era, producing a “vintage sound”. In addition, the reflections are

routed in turn to the left and right channels, creating a quasi-

stereo effect.

6. EFFECTS PROCESSOR

This manual is related to the following products: