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ALESIS MultiMix 12 FireWire User Manual

Page 17

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A Tour of the MultiMix FireWire

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even added to the main mix via the 2TK TO MIX switch in the

master section of the mixer.

The 2-TRACK INPUT is blended with any signal coming back

from a computer over the Firewire connection.

MAIN MIX OUT

These 1/4” jacks are where the signal on the main mix bus leaves

the mixer. From there you can send it to a recorder or a PA system.

The level of this signal is controlled by the MAIN MIX fader.


CTRL RM OUT

You can use these 1/4" jacks to send the control room signal to

the input of the amplifier driving your monitors or headphones.

This output can carry several different signals, depending on which

source you have selected in the master section of the mixer.

Channel Strips

The eight channel strips are virtually identical to each other, with

the only difference being that channels 1 – 4 are mono and

channels 5 – 12 are stereo. Each channel strip contains the

following components.

Fader

The fader controls how much of the signal from the mic or line

inputs is sent to the channel. To adjust the level, simply slide the

fader up and down to the desired level. In the lowest position,

levels are cut completely, and in the uppermost position you get an

additional 10dB of gain. When the fader is at 0, it is at unity gain,

where the level of the output equals the level of the input.

MUTE / Alt 3/4

This switch has two purposes. The mute function is pretty self-

explanatory: when you press the switch, the channel’s output is no

longer routed to the main mix output. The second purpose of this

switch is that in addition to muting a channel, it also routes it to

the ALT 3/4 OUT found in the patchbay. This is where you get

the MultiMix’s extra stereo bus. If you don’t have anything

connected to the ALT 3/4 OUT, the switch acts only as a mute

button. If you do have something connected—say, a multitrack

recorder—this button acts as a signal router.

PFL / SOLO

The PFL / SOLO switch allows you to single out a channel so you

can make adjustments to it before you run it into the main mix.

This is useful for setting an instrument’s gain or EQ and for

troubleshooting. PFL stands for “pre-fade listen.” In other words

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