Operation, Technical specifications – Velleman PROMIX100 User Manual
Page 4

PROMIX100
V. 1.1 – 12/04/2013
4
©Velleman nv
6. A record player with a magnetic pick-up can be connected to the cinch sockets (25, 26).
7. Output for amplifiers, tape recorders, etc.
Audio equipment with its personal input (such as tape recorders, VCRs and amplifiers) should be connected
to the output socket "REC" (21) and "AMP" (22). Please verify that the input is always connected to the
output.
8. Headphones
The headphones used for sound monitoring should be connected to the 6.35 mm socket (5).
6.
Operation
1. Sound mixing controls
Press the "POWER" (1) switch when all connections have been completed and the sound sources have been
adjusted and connected to the mixer. The sound is mixed through the LINE/PHONO selector (8, 9) and the
6 volume controls (6, 7, 10-13). These are used to obtain the desired mixing ratio and the final mixed
sound through the amplifier output.
2. Monitoring
The monitor enables you to listen to individual input signals before sliding up the volume control. Select the
control function in question by using the MONITOR (3) switch. The volume of the headphones for pre-fader
listening has to be adjusted via the control LEVEL (4).
7.
Technical Specifications
input functions
MICROPHONE
1.5 mV / 10 k
PHONO
3 mV / 47 k
LINE
150 mV / 22 k
output functions
MASTER
0.775 V, 7 V max. / 600
REC
0.775 V, 7 V max. / 600
frequency response
20 Hz - 20000 Hz 2 dB
distortion
< 0.1 %
S/N ratio
> 50 dB
headphones
8
dimensions
270 x 45 x 180 mm
Use this device with original accessories only. Velleman nv cannot be held responsible in the event
of damage or injury resulting from (incorrect) use of this device.
For more info concerning this product and the latest version of this manual, please visit our website
www.hqpower.eu.
The information in this manual is subject to change without prior notice.
© COPYRIGHT NOTICE
The copyright to this manual is owned by Velleman nv. All worldwide rights reserved. No part of this
manual may be copied, reproduced, translated or reduced to any electronic medium or otherwise without the
prior written consent of the copyright holder.