Using the effect function, Features of various effectors, Auto bpm counter (auto bpm counter) – Pioneer DJM-500 User Manual
Page 12: Beat effector (effects linked to bpm), Drb1192, Original (4 beats) 1/2 delay (8 beats) (example), Djm-500

12
USING THE EFFECT FUNCTION
With the built-in DSP (digital signal processor), sound ef-
fects can be enjoyed and BPM measured.
Real-time/average selection
Effect selector
Effect channel selector
Parameter knob
Effect switch
Monitor selector
(Auto BPM Counter Selector)
Features of Various Effectors
Original
(4 beats)
1/2 delay
(8 beats)
(Example)
Auto BPM Counter (AUTO BPM COUNTER)
Automatically measures the BPM (beats per minute (tempo)) of the song and displays it digitally. (*1)
It not only counts the beat of bass sounds but also calculates, using a computer, the original BPM of the song required by DJs
and displays it digitally.
This allows the BPM to now be checked not only with the ear as done previously but also visually, thereby enabling songs
with different tempos to be mixed more quickly and simply.
(*1: Able to calculate the BPM of most songs, but not of some (e.g. acapella, ad lib, etc.).)
Beat Effector (Effects linked to BPM)
Various effects are linked to the BPM calculated by the above auto BPM counter to allow a never-before sound mixing.
1. Delay (one repeated sound)
Mixes delay sounds of 1/2, 3/4, and 1/1 beats quickly and simply.
For example, when 1/2 beat delay sounds are mixed, the beat will change from 4 to 8.
When 3/4 beat delay sounds are mixed, the rhythm will change to a jumpy one.
MIC
CH–1
CH–2
CH–3
CH–4
MASTER
POWER
DJM-500
DJ MIXER
MASTER LEVEL
TRIM
+6dB
HI
MID
LOW
14
10
7
4
2
1
0
-1
-2
-3
-5
-7
-10
-15
-24
dB
14
10
7
4
2
1
0
-1
-2
-3
-5
-7
-10
-15
-24
dB
–
∞
+12dB
–20dB
+12dB
–20dB
+12dB
–20dB
EQ
R
L
1/2 3/4 1/1 2/1 4/1
1
2
3
4 MIC
MASTER
PARAMETER
AVERAGE
AUTO BPM COUNTER
REAL
BEAT
EFFECT
MONO
STEREO
SUB MIC
PHONO 3
LINE
PHONO 2
CD 2/LINE
PHONO 1
CD 1/LINE
LINE
%
BPM
mSec
1
2
3
4
BPM
mSec
MIC LEVEL
0dB
HI
+12dB
–12dB
MID
+12dB
–12dB
LOW
+12dB
–12dB
TRIM
+6dB
HI
+12dB
–20dB
+12dB
–20dB
MID
LOW
TRIM
+6dB
HI
MID
LOW
TRIM
+6dB
HI
MID
LOW
14
10
7
4
2
1
0
-1
-2
-3
-5
-7
-10
-15
-24
dB
14
10
7
4
2
1
0
-1
-2
-3
-5
-7
-10
-15
-24
dB
14
10
7
4
2
1
0
-1
-2
-3
-5
-7
-10
-15
-24
dB
+12dB
–20dB
+12dB
–20dB
+12dB
–20dB
+12dB
–20dB
+12dB
–20dB
+12dB
–20dB
+12dB
–20dB
EQ
EQ
EQ
EQ
–
∞
–
∞
–
∞
–
∞
MONITOR EQ
+12dB
–12dB
MONITOR LEVEL
0dB
MIC
CH–1
CH–2
CH–3
CH–4
MASTER
EFFECT
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
MASTER BALANCE
BOOTH MONITOR LEVEL
R
L
PARAMETER
CH.SELECTOR
MAX
MIN
EFFECT ON/OFF
0dB
AUTO BPM COUNTER SELECTOR
MONITOR SELECTOR
MONITOR
MONO
STEREO
–
∞
PHONES
1
2
3
4
ASSIGN A
1
2
3
4
2
3
4
MIC
MASTER
ASSIGN B
OFF
ON
OFF
ON
FADER START
OFF
ON
CROSS FADER
CH-2
CH-1
CROSS FADER
B>
–
∞
1
ECHO
AUTO PAN
FLANGER
PITCH
SHIFTER
DELAY
SEND/
RETURN
REVERB
AUTO
BPM
EFFECT SELECTOR
%
mSec
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
PROFESSIONAL