Sound Performance Lab Gain Station 2272 - Manual (Page 6)

6 GainStation 1
This cutting-edge technology ensures that signals recorded
with the GainStation 1 have more presence and substance and
will easily cut through a mix even at lower levels. Extremely
low-frequency signals are tight and transparent with clear into-
nation. Percussive transients are interpreted more precisely,
which leads to a clearer rhythmic content and in turn a more
solid rhythmic performance and perception.
A bassist using the GainStation 1 as a preamp will immediately
notice that he hears and feels what he is playing much better,
which leads to improved playing and a better recording. The
track will have more punch and dynamics, greatly improved
presence and almost palpable detail. In short, the instrument
sounds incredibly authentic and alive. Beta-tests with the
GainStation 1 showed that all instrumentalists enjoyed playing
more and in many cases were truly amazed at what their trusty
instrument was capable of.
Given this improvement in the input signal, one is much less
inclined to equalize and compress—in many cases you will
probably find that you can do without additional processing,
which not only saves an enormous amount of time and processor
power, but also has an extremely positive effect on the final
result.
The GainStation 1 itself offers effective sound-shaping capabi-
lities at recording, most notably via the tube stage, which can
be completely bypassed or continuously added to the preamp
circuit, allowing everything from extremely subtle „warmth“ to
a very noticeable tube saturation effect. The integrated limiter
can be used to protect an internal or external AD converter
from clipping, or for example to add punch to drum tracks,
which in turn reduces or in many cases even eliminates the need
for subsequent compression. Put simply, the more tracks are
recorded with the GainStation 1, the more solid and transpa-
rent—and easier to mix—the entire recording will be.
Introduction