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JBL SB300 User Manual

Page 7

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Use the subwoofer’s Level knob to balance the bass with the rest of

the sound. Play music or movies that you are familiar with, and adjust

the subwoofer’s Level knob so the bass sounds balanced on both

music and films. Listen to several different music recordings and film

soundtracks that contain strong bass passages, and find a setting for

the Level knob that doesn’t over-emphasize the bass or make it sound

weak.

Level

MIN

MAX

Once you find a setting for the subwoofer’s Level knob that balances

the bass with the rest of the sound, you shouldn’t have to change it.

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The subwoofer’s Cutoff control adjusts the subwoofer’s cutoff between

40Hz and 200Hz. The higher you set the Cutoff control, the higher

in frequency the subwoofer will operate and the more its bass will

“overlap” that of the soundbar. This adjustment helps achieve a

smooth transition of bass frequencies between the subwoofer and the

soundbar for a variety of different rooms and subwoofer locations.

40Hz

200Hz

Cutoff

To set the Cutoff control, listen for the smoothness of the bass. If the

bass seems too strong at certain frequencies, try a lower Cutoff control

setting. If the bass seems too weak at certain frequencies, try a higher

Cutoff control setting.

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This switch determines whether the subwoofer’s piston-like action

moves in and out in phase with the speakers in the soundbar. If the

subwoofer were to play out of phase with the soundbar speakers,

some of the sound waves produced by the soundbar and subwoofer

could be canceled out at some frequencies, reducing bass

performance and sonic impact. This phenomenon depends in part on

the relative placement of the soundbar and subwoofer in the room.

Phase

180°

Although there is no absolutely correct setting for the Phase switch, in

most cases it should be left in the “0°” position. When the subwoofer

is properly in phase with the soundbar speakers, the sound will be

clearer and have more impact. It will make percussive sounds like

drums, piano and plucked strings sound more lifelike. The best way

to set the Phase switch is to listen to music that you are familiar with

and adjust the switch so that drums and other percussive sounds have

maximum impact.

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Frequency response:

42Hz – 20kHz (–3dB)

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Low-frequency transducer:

Two 2" (51mm) cones per channel, video-
shielded

High-frequency transducer:

One 1" (25mm) dome per channel, video-
shielded

Amplifier power:

30 watts per channel

Audio controls:

Volume, surround mode

Connections:

Optical digital (TOSLINK

) input, stereo

analog (RCA-type) inputs

Power requirement:

120V – 240V, 50Hz/60Hz, 80W

Power consumption:

1W standby; 80W maximum

Dimensions (H x W x D):

3-5/8" x 45-3/4" x 3"
(92mm x 1162mm x 76mm)

Weight:

5.5 lb (2.5kg)

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Low-frequency transducer:

8" (200mm) cone, down-firing

Enclosure type:

Ported (down-firing)

Amplifier power:

100 watts

Frequency response:

42Hz – 200Hz (–3dB)

Audio controls:

Level, phase, cutoff frequency

Connections:

LFE input, left and right RCA line-level inputs

Power requirement:

120V – 240V, 50Hz/60Hz, 160W

Power consumption:

1W standby; 160W maximum

Dimensions (H x W x D):

19" x 14-1/4" x 14-1/4"
(483mm x 362mm x 362mm)

Weight:

24.5 lb (11.1kg)