Hookup diagrams, Owner's manual 7, Typical live sound system – MACKIE PROFESSIONAL MIC/LINE MIXERS WITH FX AND USB I/O PROFX16 User Manual
Page 7

Owner's Manual
7
Hookup Diagrams
Typical Live Sound System
This diagram shows a mic'd up drum kit utilizing the first seven channels of the mixer. Microphones are
connected to the next three channels for lead and background vocals. A guitar and bass are attached
to the next two channels' line-level inputs, each via a mono effects processor. An iPod docking station is
attached to the stereo tape inputs.
Mackie SRM450v2 powered speakers are connected to the left and right main output. Two of these
speakers are also set up as stage monitors and connect to the mixer's monitor output via a graphic EQ.
The aux mon controls of each channel allow you to create a stage monitor mix as desired. Headphones
are used for monitoring and a footswitch allows you to mute/unmute the internal effects as desired.
A laptop connects to the USB port and allows the 2-channel main mix of the performance to be
recorded to a DAW. Two channels of audio can also play from your computer to the main mix.
48V
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
OL
4
6
3
10
15
7
10
20
30
0
2
LEVEL
SET
MAIN
METERS
R
L
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
GAIN
GAIN
+20
-20
GAIN
(MONO)
LINE IN 9
LINE IN 10
L
R
(MONO)
L
R
(MONO)
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
L
R
(MONO)
L
R
LINE IN 11
LINE IN 12
LINE IN 13
LINE IN 14
LINE IN 15
LINE IN 16
L
R
11/12
9/10
13/14
15/16
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
LINE IN
LINE IN
LINE IN
LINE IN
LINE IN
LINE IN
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
GAIN
U
+50
MI
C GAIN
U
+50
MI
C GAIN
U
LOW CUT
LOW CUT
AUX
RETURN
MON
1
INTERNAL FX
MON
2
AUX
MASTER
U
+15
O
O
U
+15
O
O
U
+15
O
O
TO
MON 1
TO
MON 2
TO
MAIN
L-R
TO
MON 1
TO
MON 2
TO
MAIN
L-R
U
+10
O
O
U
+15
O
O
U
+15
O
O
U
+10
O
O
U
+15
O
O
U
+15
O
O
SOURCE
LINE
USB
9/10
11/12
13/14
15/16
8K
4K
2K
1K
500
250
125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
STEREO GRAPHIC EQ
MAIN MIX
MON 1
EQ IN
BYPASS
PHONES
L
R
(MONO)
L
R
1
2
3
4
1
2
SUB 2
SUB 3
SUB 1
INSERT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
AUX
OL
OL
OL
OL
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
EQ
EQ
EQ
EQ
12kHz
HI
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
AUX
R
L
PAN
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
AUX
R
L
PAN
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
AUX
R
L
PAN
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
AUX
R
L
PAN
MON
1
MON
2
U
+15
O
O
U
+15
O
O
U
+15
O
O
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
dB
30
20
10
10
40
50
5
5
U
60
dB
30
20
10
10
40
50
5
5
U
60
dB
30
20
10
10
40
50
5
5
U
60
SUB 4
dB
30
20
10
10
40
50
5
5
U
60
CR/PHONES
O
O
MAX
(MUTES ALL CH)
2-TRACK RETURN
TAPE
USB
USB OUT
MAIN
SUB 1-2
LEVEL
U
+15
O
O
INT FX
MUTE
SIG/OL
PROFESSIONAL MIC/LINE MIXER WITH FX
FX SEND
FOOTSWITCH
MON SEND
BALANCED
BALANCED
AUX RETURN
CR OUT
SUB OUT
MAIN OUT
IN
OUT
TAPE
L
R
dB
30
20
10
10
40
50
5
5
U
60
MAIN
+20
-20
U
0dB = 0dBu
RUDE
SOLO
PHANTOM
POWER
R
L
R
L
R
L
R
L
7
7
8
8
6
6
5
5
4
4
3
3
2
2
1
1
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
BREAK
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
dB
30
20
10
10
40
50
5
5
U
60
POWER
PROFESSIONAL MIC/LINE MIXER WITH FX
USB
REVISION
SERIAL NUMBER
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND
ICES-003, FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO
CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND
(2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING
INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.
Microphones
Headphones
SRM450v2
Powered Speakers
SRM450v2 Powered Monitors
Footswitch
iPod
Docking Station
Laptop Computer
with iTunes for
playback in
between bands
Monitor EQ
Mono Effects
Bass
Guitar
Drums
Electric
Guitar