MACKIE 1402-VLZPRO - Manual (Page 14)

14
L
MONO
L
MONO
L
MONO
L
MONO
LINE IN 7–8
R R R R
LINE IN 9–10 LINE IN 11–12 LINE IN 13–14
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
LINE IN 3 LINE IN 4
L
R
1
2
1
2
RIGHT
AUX SEND STEREO AUX RETURN MAIN OUT
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
LINE IN 1 LINE IN 2
MIC 1 MIC 2 MIC 3 MIC 4 LEFT/ MONO BAL/UNBAL
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
BAL
OR
UNBAL
ALL BAL/UNBAL MIC 5 MIC 6
TRIM TRIM TRIM TRIM TRIM TRIM
LEVEL
+4
-10 -10 -10 -10
LEVEL
+4
LEVEL
+4
LEVEL
+4
TRIM
TAPE
INPUT
TAPE
OUTPUT
L
R
MIC GAIN
+15dB -45dB
- 10dBV
0 60
MIC GAIN
+15dB -45dB
- 10dBV
0 60
MIC GAIN
+15dB -45dB
- 10dBV
0 60
MIC GAIN
+15dB -45dB
- 10dBV
0 60
MIC GAIN
+15dB -45dB
- 10dBV
0 60
MIC GAIN
+15dB -45dB
- 10dBV
0 60
XDR MIC PRE XDR MIC PRE XDR MIC PRE XDR MIC PRE XDR MIC PRE XDR MIC PRE
U U U U U U
TAPE IN
These RCA jacks are designed to work with
semi-pro as well as pro recorders. To compen-
sate for typically low levels, signals coming in
here will be automatically boosted by 6dB.
Connect your tape recorder’s outputs here,
using standard hi-fi (RCA) cables. To learn how
signals are routed from these inputs, see .
TIP SLEEVE TIP SLEEVE
Use these jacks for convenient tape play-
back of your mixes. You’ll be able to review a
mix, and then rewind and try another pass,
without repatching or disturbing the mixer
levels. You can also use these jacks with a por-
table tape or CD player to feed music to a PA
system between sets.
WARNING: Pushing
TAPE in the SOURCE
matrix and ASSIGN TO
MAIN MIX can create a
feedback path between
TAPE IN and TAPE OUT. Make sure your
tape deck is not in record, record-pause or
input monitor mode when you engage these
switches, or make sure the
CTL ROOM /
SUBMIX fader is fully down (off).
Pin 1 = Ground
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
Outputs? The 1402-VLZ PRO has plenty of
’em: XLR MAIN, 1 ⁄ 4 " MAIN, TAPE, PHONES,
CONTROL ROOM and AUX SENDS. Let’s
take a peek.
XLR MAIN OUTPUTS
These low-impedance outputs are fully bal-
anced and capable of driving +4dBu lines with
up to 28dB of headroom. This output is 6dB
hotter than other outputs.
To learn how sig-
nals are routed to these outputs: .
To use these outputs, wire the XLR (bal-
anced only) connectors like this:
2
2
3 1
1
SHIELD
COLD
HOT
SHIELD
COLD
HOT
3
SHIELD
COLD
HOT
3
2
1