MACKIE PPM1012 - Manual (Page 22)

PPM101
PPM1012
With this constant-Q graphic EQ, the band-
width (and Q) of a frequency band doesn't
vary with the amount of boost or cut, and the
adjustment of one slider has minimal effect
on adjacent bands for all settings of the slider levels.
(There's always some effect on adjacent bands to avoid
too much variation or ripple between bands, but the
constant-Q design keeps this fairly constant for all set-
tings.) The position of the sliders gives a good indica-
tion of the frequency response across the audio band.
With non-constant types of EQ (on other mixers), for
example, if you're boosting 500 Hz and 2 kHz slightly,
the 1 kHz band will also be boosted, even though the
1 kHz slider is in the flat position.
45. MON 1 EQUALIZER
This 9-band, constant-Q, mono graphic equalizer
allows you to adjust the monitor 1 mix line-level
outputs [10] and the speaker-level output [3] if the
internal amplifier is playing the monitor 1 mix.
Each control allows up to 15 dB of boost and cut,
with 0 dB (no change in level) at the center. The
frequency bands are: 63, 125, 250, 500, 1 k, 2 k, 4 k,
8 k, and 16 kHz
The EQ comes before the monitor 1 fader [58].
Adjust the EQ carefully, in case you over-do it and
take the stage monitor 1 levels into overload. As with
the channel EQ, just take it easy. There are no prizes
for who can EQ the most (or is there?). If lots of EQ
seems to be needed, then chances are your system
can be improved by careful re-positioning of the mi-
crophones and other equipment.
You will find this EQ useful for reducing feedback in
the stage monitors. Stage monitors point towards the
performers and their microphones, so feedback can
often occur. You can reduce the level of the problem
frequency band, by adjusting the graphic EQ sliders.
46. MAIN EQ ASSIGN
This delightful little switch allows you to assign
the main equalizer [44] to either the main mix when
pressed out, or to monitor 2 when pressed in.
This is useful in cases where your monitor 2 mix is
having feedback troubles or needs your special touch.
If you are not using the monitor 2 system, keep this
switch out. The EQ will then operate on your main
left and right mix.
47. POWER AMP LIMITER LEDs
These independent LEDs turn on when power am-
plifier channel A or B is being overloaded internally
and its internal automatic limiter is actively working.
The LED will pulse in time with how much the limiter
is being used.
If the limiter LEDs come on and stay on for more
than a second or two, it means the power supply has
overheated and the limiter is holding the amp signal
down to 1/4 power until the power supply cools down
enough to release the limiter. If this happens, check
there is good ventilation around the mixer, and that
you are not cranking it too much. Also make sure that
your speakers are OK, and are not less than 4 ohms
impedance.
80Hz
LOW
MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8
INPUT
(BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL)
INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT
GAIN
U
-20
LAMP
12V 0.5A
L
R
FX SEND TAPE
OUT IN
L
MON SEND
FX RTN
(MONO)
MID
FREQ
R L
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
600
1.5k 150
8k 100
OFF MAX
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
1 9/10 11/12 2 3 4 5 6 7 8
SOLO
OL
+10
0
-20
SOLO
OL
+10
0
-20
1 9/10 11/12 2 3 4 5 6 7 8
EQ EQ
OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX
12kHz
HI
LOW CUT
100 Hz
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
+20
12kHz
HI
80Hz
LOW
HI
MID
2.5kHz
LOW
MID
400Hz
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
12kHz
HI
80Hz
LOW
HI
MID
2.5kHz
LOW
MID
400Hz
GAIN
U
-20
PAN
AUX
SEND
EQ
COMP COMP COMP COMP COMP COMP
+20
1
2
L
R
(MONO)
L
R
(MONO)
L
R
(MONO)
1
2
FX RTN
L
R
L
R
M
L
R
M
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
R L
PAN
AUX
SEND
MON
1
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
R L
PAN
AUX
SEND
MON
1
FX
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
1 FX 2
9 1 2 10 / INPUT 11 12 / MAIN OUT
MAIN INSERT
TAP
DELAY
INT FX
MUTE
TAP
DELAY
INT FX
MUTE
TAP TO EDIT
01 PLATE REVERB
02 VOCAL PLATE
03 WARM ROOM
04 BRIGHT ROOM
13 CHORUS
14 CHORUS + REVERB
15 DOUBLER
16 TAPE SLAP
05 WARM LOUNGE
06 SMALL STAGE
07 WARM THEATER
08 BRIGHT STAGE
09 WARM HALL
10 CONCERT HALL
11 CATHEDRAL
12 GATED REVERB
17 DLY 1 BRIGHT (350ms)
18 DLY 1 WARM (300ms)
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
22 DLY 3 WARM (150ms)
23 CHORUS + DLY (300ms)
24 REVERB + DLY (200ms)
15
15
10
10
5
5
0
15
15
10
10
5
5
0
16K 8K 4K 2K 1K 500 250 125 63
HI-Z HI-Z
OL
4
6
3
10
15
7
10
20
30
0
2
U
+20 O O
TAPE IN
BREAK
MUTES
CH 1-12
U
+15 O O
U
+15 O O
TO MON 1 TO MON 2
FX 1 FX 1
MONO OUT
LPF
O O MAX
75Hz
100 180
120
200Hz
0dB = 0dBu
LEVEL
SET
RUDE
SOLO
MAIN
MON 2
EQ ASSIGN
MAIN
METERS
R L
PHANTOM POWER
MAIN EQUALIZER
MON 1 EQUALIZER
15
15
10
10
5
5
0
15
15
10
10
5
5
0
16K 8K 4K 2K 1K 500 250 125 63
SIG/OL SIG/OL
U
+15 O O
SEND MASTER
U
+15 O O
SEND MASTER
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
dB
10
O O
5
5
U
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
dB
30
20
10
O O
40
50
5
5
U
60
FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN
FOOTSWITCH
TIP: FX1
RING: FX2
PHONES
FX
LEVEL
2 X 800W PROFESSIONAL POWERED MIXER
O O MAX
30
20
40
50
60
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
(L) (R)
MON 1
MON 2
MAINS
MON 1
STEREO
MAIN
A B
LINE LINE LINE LINE LINE LINE LINE
HI-Z
LINE
HI-Z
POWER AMP
LIMITER
A B
POWER AMP
MODE
POWER
2 X 800W PROFESSIONAL POWERED MIXER
CAUTION
HOT SURFACE,
AVOID CONTACT REVISION
SERIAL NUMBER
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
B
SPEAKER OUT
A
SPEAKER OUT
OUTPUT POWER: @ 4 OHMS,
800 WATTS PEAK PER CH
MINIMUM LOAD: 4 OHMS PER CHANNEL
PIN
1+
1
PIN
1+
1
R
53
54
55
52 51
56
60
62
63
64
61
59 57 58 57 58
56
42 43
44
45
46
47
49
50
48
38
41