FujiFilm FUJICHROME VELVIA RVP100 - Manual

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AF3-202E
1. FEATURES AND USES
FUJICHROME Velvia 100 Professional [RVP 100] is a
daylight-type high-image-quality color reversal film
with an ISO speed rating of 100. In addition to the world’s
highest level of color saturation, this film boasts an RMS
granularity of 8, making it suitable for scenery, nature
photography and other subjects that demand precisely
modulated, vibrant color reproduction and high image
quality.
FUJICHROME Velvia 100 Professional [RVP100]
C O L O R R E V E R S A L F I L M S
Features
• ISO 100 Speed
.............
• Ultrahigh-saturation
...
Color Reproduction
• Super-fine Grain
..........
• Color Image Storage
...
Permanence
• Superb Push/Pull
.........
Processing
Suitability
Easy-to-use ISO 100 rating
with the world’s highest level
of color saturation.
Attainment of the world’s
highest color saturation level
equal to that of Velvia (ISO50)
through the incorporation of
new cyan, magenta and
yellow couplers.
RMS granularity of 8, one of
the finest level.
Color image storage
permanence (anti-fading
characteristics) equal to that
of RVP 100F as a result of
new couplers.
Minimum variation in color and
gradation during push/pull
processing over a range from
–1/2 to +1 stop, providing an
expanded range of photo-
taking opportunities, as well
as facilitating fine adjustments
in exposure and density during
processing and allowing an
increase in speed of up to +2
stops (equal to EI 400),
depending on the scene.
NOTES
• The settings are for 2 hours after sunrise and 2 hours before
sunset.
• Provide a lens opening 1/2-stop smaller during the summer
and 1/2-stop larger during the winter (except for snow scenes).
• Excessively bright (or dark) or backlighted subjects may require
plus (or minus) 1-stop lens opening adjustments.
5. EXPOSURE FOR VARIOUS LIGHT
CONDITIONS
Daylight
Under usual daylight conditions, color balancing filters
are not necessary. For the following exposure condi-
tions, however, the indicated filters are recommended.
• A UV filter No. 2C* (SC-39 or SC-40)** or other ap-
propriate ultraviolet absorbing filter is recommended
for scenes that are receiving strong ultraviolet
light from the sun, such as seaside locations, snow
scenes, and bright distant views.
Light Source
Daylight
Tungsten Lamps
(3200K)
Speed
ISO 100/21
°
ISO 32/16 ° *
Color Balancing Filter
None
No. 80A**
(LBB-12***)
* Indicates the effective speed resulting from designated filter use.
** Wratten Filter
***Fuji Light Balancing Filter (not available in certain markets.)
3. FILM SIZES, EMULSION NUMBER, BASE
MATERIAL AND THICKNESS
Base
Thickness
Sizes
#460–
• Rolls*
135 ... 36-exp.
... 36-exp. (5-roll pack)
20-roll pack)
35mm
×
30.5 (100 ft.)
120 ... 12-exp.
... 12-exp. (5-roll pack)
220 ... 24-exp. (5-roll pack)
• Sheets*
4
×
5 in. (10.2
×
12.7 cm)
... 10 sheets and 50 sheets
8 × 10 in. (20.3 × 25.4 cm)
... 10 sheets
QuickLoad 4
×
5 in... 20 sheets
4. EXPOSURE GUIDE
Use a meter to determine the exposure setting. If a
meter is not available, refer to the following table.
Seashore or
Snow Scenes
under Bright
Sun
Bright
Sunlight
Hazy
Sunlight
Cloudy
Bright
Cloudy
Day or
Open
Shade
Light
Conditions
Lens
Aperture
f/16 f/11 f/8 f/5.6 f/4
2. SPEED
* RMS stands for “Root Mean Square”, a widely used standard
method for measuring the degree of grain in photographic film.
The lower the RMS number, the smaller the apparent grain.
* Some sizes are not available in certain markets.
(Exposure time: 1/250 sec.)
Emulsion
Number
Base
Material
Cellulose
Triacetate
Polyester
127 µ m
98
µ
m
175
µ
m