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Y flash – FujiFilm FinePix30i User Manual

Page 20

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y FLASH

PHOTOGRAPHY MENU

This mode can be selected in the “

1

2

” still

image modes.
Use the flash mode that best suits your shot.

h5 modes: “AUTO,

:

,

y

,

u

and

;

hEffective flash range (in “

1

AUTO” mode):

Approx. 0.6 m to 3 m (2.0 ft. to 9.8 ft.)

!

When you select a flash mode, you may find that the
displayed image disappears and the screen goes
dark because the flash is charging. In this event, the
viewfinder lamp flashes orange.

!

The flash charging time may increase if the charge
remaining in the batteries is low.

!

If you use the flash in very dusty environments or
when it is snowing, the flash may reflect off
snowflakes or floating dust particles so that they
appear as glowing white dots on your image.

!

You cannot use this setting in Macro (close-up)
photography.

Use this mode for ordinary photography. The
flash fires automatically as required by the
shooting conditions.

AUTO

Auto Flash Mode

:

Red-Eye Reduction

Use this mode to ensure that the subject’s eyes
appear natural when photographing people in
low-light conditions. The flash fires automatically
as required by the photography conditions.
The flash fires a pre-flash just before the picture is
taken and then fires again to take the actual picture.

y Forced Flash

Use this mode to photograph backlit scenes,
such as a subject against a window or in the
shade of a tree, or to obtain the correct colors
when you are shooting under lighting such as
fluorescent tubes. In this mode, the flash fires in
bright as well as dark conditions.

!

You cannot use this setting in Macro (close-up)
photography.

Red-Eye Effect

When you use the flash to photograph people in low-light conditions, their eyes sometimes appear red in
the picture. This is caused by the light of the flash reflecting off the inside of the eye. Use Red-Eye
Reduction flash to effectively minimize the likelihood of the red-eye effect.
Take the following measures also to make Red-Eye Reduction more effective :

h Get the subjects to look at the camera.

h Get as close as possible to the subjects.