Introduction – Studio Technologies 42A 2008 User Manual
Page 5

Model 42A User Guide
Issue 2, February 2008
Studio Technologies, Inc.
Page 5
Introduction
The Model 42A is designed to create 
broadcast-standard IFB circuits from line-
level audio sources. The unit’s primary 
application is to interface analog outputs 
associated with digital matrix intercom 
systems with broadcast IFB user devices. 
The Model 42A provides four independent 
IFB circuits. For convenience, the four 
circuits can be connected by way of eight 
3-pin male XLR-type connectors; four of 
which are located on the back panel and 
four on the front. Each IFB circuit provides 
DC power and two analog audio signals to 
support the connected IFB user devices. 
The Model 42A’s audio quality is excellent; 
little hiss, hum, or other artifacts are pres-
ent. To ensure optimal operation, the unit 
provides resources for visually and audibly 
monitoring the audio output signals. In 
addition, the DC output voltage is moni-
tored for over-current and short-circuit 
conditions.
Installation of the Model 42A is very simple. 
Audio input connections are made using 
a 25-pin D-subminiature connector. The 
IFB output circuits interface using standard 
3-pin XLR-type connectors. The compact, 
one-rack-space package is constructed 
Model 42A Back Panel
Model 42A Front Panel
using heavy-gauge steel components. The 
unit’s mains power input can range from 
100 to 230 volts, 50/60 hertz. This “univer-
sal input” ensures correct operation virtu-
ally anywhere in the world.
There may be persons not familiar with 
the term IFB. That’s not unreasonable 
as it’s a somewhat obscure acronym for 
interruptible foldback. On its own, the term 
foldback is an alternate way of describ-
ing a cue or monitor function. Adding 
“interruptible” before it means that the 
cue source can be temporarily replaced 
with an audio signal originating from a 
producer, director, or other production 
personnel. IFB circuits are often used in 
the broadcast industry for talent cueing 
applications, both in studio and field set-
tings. Both “dry” and “wet” IFB circuits 
can be deployed and their characteristics 
are worth reviewing. The term “dry” IFB 
typically refers to a transformer-balanced 
line-level audio circuit with a nominal level 
in the range of 0 to +8 dBu. This is es-
sentially a standard audio circuit that is 
commonly used to interconnect audio 
equipment. The term “wet” IFB refers to 
a circuit that combines DC power and 
one or two channels of analog audio. The 
nominal level of the DC power source is 
