Proel MIC62-USB - Manual

MIC62-USB
Boundary condenser Microphone
The Proel MIC 62-USB Boundary Condenser Microphone is very useful in a variety of surface-mounted
applications such as high quality vocal and ambient recording, dictation and note-taking, web conferencing
and chatting, as well as VOIP use. For use in conference rooms, schools, court, as well as everyday home
and office use. It can be used with any Windows or Mac PC using the included USB-A to USB mini-B cable.
Features
• Ultra-versatile, sleek table top USB condenser microphone for Windows and
Mac computers.
• Cardioid polar pattern for unidirectional audio pickup
• Simple plug-and-play design.
• Powered by connecting the USB-4B into your PC , using standard USB cable (included).
• For use in conference rooms, schools, court ,office, skype use.
• Convenient “Mute On/Off” button with green/red LED indicator light.
• Shock resistant padded feet
• Uni-directional pick up pattern and full range 50Hz-18kHz frequency response
for top quality audio when it is needed most.
How to use
Connect the USB cable from the MIC 62-USB directly to your available computer USB port. In a Windows
PC, wait for the setting of the drivers for this new device, and the PC will notify you that the device is
ready for use. On a Mac using OSX, the core audio will recognize the device and will become available for
use via the Core Audio. While the MIC62-USB is in use, you can manually mute or unmute the microphone
by pushing the green LED button in the center of the device. When the LED turns from green to red, no
audio will be transmitted. To unmute, simply push the LED again and it will turn from red back to green.
Place the mic on a flat surface on a convenient distance , remember the proximity effect ( when the mic is
near to audio source the bass response increase ) and the feedback when you use it near to the speakers.
Some useful ways in which to eliminate totally annoying feedback include: experimenting with mic
positions with respect to the speakers, decreasing speaker volume (whenever possible), and adjusting the
equalization.