Rupert Neve Satellite 5059 16x2+2 Mixer - Manual (Page 10)

10
Line Inputs and Outputs
The input and output stages are similar to that of the 5088 console, using class-A circuitry, driving a
carefully configured output transformer that can deliver a full +26dBu from the balanced and ground-
free secondary winding.
This maximum level provides a large margin over and above the likely maximum
requirement of any destination equipment to which the module may be connected. This is
especially true when feeding digital equipment!
Freedom from the interference fields that are inevitably present in any control room is virtually
guaranteed by the balanced, ground-free design used in the 5059. The classic Rupert Neve designed
modules always used transformers, as do a number of other high quality vintage modules still in current
use.
High quality transformer connectivity has been used for many years, enabling modular amplifier
units to deliver the sonic performance for which they are famous. The outputs are very appropriate for
driving unusually long lines that may be needed when used remotely.
Bear in mind that human ears are very sensitive and can perceive incredibly minute interference
signals that are not part of the “desired” signal. If unbalanced connections are used, great care must
be exercised to avoid ground loops and common signal paths. Reduced immunity from various
forms of interference can be tolerated (sometimes), but this usually results in a loss of that transparent
musical resolution that we all love.
In certain applications, the output of the 5059’s transformer-coupled XLR may be used with one side
grounded. For example to use with “Hi-Fi”, “consumer” or other unbalanced audio
gear, without degrading the performance of such devices. Care must be exercised when using
ancillary equipment to avoid overloading these devices.
Chassis
The chassis fits a full 19” rack width, 3.5” (2U) with standard rack mounting “ears”. The construction
incorporates a heavy and robust steel shell that provides total magnetic screening and exceptional
mechanical stability. The front panel is machined from a solid .20 inch aluminum plate with a steel sub
panel behind it.
5059 Controls
DUAL STEREO OUTPUTS
One of the key features that make the 5059 different from other rackmount mixers is its dual stereo
outputs. The dual stereo outputs have two primary uses. The first is to enable one or more 5059s to
create “stems” or sub groups for final mixing in another mixer, and the second is to create 2 stereo “Aux”
busses as seen in configuration #4 in the Usage Notes / Configuration Suggestions section.
The other advantage of having two stereo outputs, is that you can utilize two separate instances of the
renowned silk / texture controls (as seen in the Portico II series). Even when only using one stereo buss
to drive the 2-track mix, the stereo 2 output can still be looped back into a pair of 5059 inputs to achieve
different results (see configuration #2).