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Guitar envelope, Filter, Features – Source Audio Soundblox Guitar Envelope Filter User Manual

Page 2: Hot hand ready, Use with hot hand

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GuITAR

ENvELOPE

fILTER

uSERS GuIDE

Thank you for purchasing a Soundblox

Guitar Envelope Filter. The Guitar
Envelope Filter is a highly flexible
envelope filter effect specially
optimized for the guitar. With 21 filter
types and a variety of control options,
the Guitar Envelope Filter can create
a wide range of envelope filter sounds
from traditional filter effects to unique
advanced filter sounds.

Enjoy!
The Source Audio team

• DIvERSE SOuND PALETTE

Featuring 21 types of envelope filter

and phaser effects.

• fLEXIbLE ENvELOPE cONTROL

A simple but powerful control set

makes it easy to dial in your desired
envelope response.

MODERN DESIGN

A thoughtfully designed box which
features rugged construction and
sleek looks.

• STATE-Of-THE-ART DSP

Our proprietary

56

-bit Digital Signal

Processor, the

SA601

, and crystal

clear

24

-bit converters.

MOTION cONTROL

All Soundblox pedals are “Hot Hand
Ready” and can be used with any Hot
Hand motion sensor to extend the
capabilities of the unit.

• AcTIvE ANALOG bYPASS

Bypass is fully routed around the

DSP

and active input ensures zero signal
degradation.

SA127

fEATuRES

The Soundblox Guitar Envelope Filter
is a new type of envelope filter effect.
The unit features multiple filter types
ranging from classic to modern
and beyond which are all controlled
by a flexible envelope follower. An
envelope follower is an algorithm
that responds to the amplitude (or
volume) of the incoming signal and
creates a control signal based on the
input level. This control signal is used
to “move” or modulate the filter to
create a wah-like effect. Additionally,
the filter effects can be controlled
by a Hot Hand Motion Sensor. Either
a wired or wireless sensor can be
plugged into the sensor input on
the back panel. When a sensor is
plugged in, the unit goes into “Hot
Hand Mode” and the controls take on
slightly different functions. Also, the
calibrate feature is intended for use
with the “Hot Hand Mode” only.

HOT HAND

READY

While the primary function of the
Guitar Envelope Filter is as a stand-
alone effect pedal you also have the
option of exploring some additional
functions by plugging in a Hot Hand
sensor. When a sensor is plugged in
the unit goes into Hot Hand mode.
In Hot Hand mode, the controls take
on some secondary functions. These
are shown by the white text beneath
main label of the knobs.

Hot Hand Basics
The Hot Hand motion sensors are
sold separately and come in either
wired or wireless versions. Both will
work with the Guitar Envelope Filter.
Additionally, the SENSOR IN jack
will be compatible with any future
Source Audio sensors.

The Hot Hand ring contains an
accelerometer that responds to
acceleration and is not based on any
type of proximity to the guitar. By
moving your hand or by changing the
position of your hand you can modu-
late the effect. For a good description
of Hot Hand Theory, download the
Hot Hand Motion Controlled Wah
Filters manual. It is available at
www.sourceaudio.net. Keep in mind
that the Guitar Envelope Filter can
only use the x-axis of the ring sensor.

© SOURCE AUDIO LLC 120 CUMMINGS PARK, WOBURN, MA 01801 SOURCEAUDIO.NET

uSE WITH

HOT HAND

Depth
In Hot Hand mode, the

SWEEP

RANGE

knob becomes the depth of

the effect based on the sensor input.
It can alternatively be thought of as a
gain control for the Hot Hand signal.
Increasing the depth will cause the
filter to move more based on smaller
motions of the sensor. Decreasing the
depth will decrease the movement
of the filter. In Hot Hand mode, the
depth increases turning the knob to
the left or right except that in the ‘+’
region the motion of the filter will be
from low to high and in the ‘-‘ region
the filter will move from high to low.
This effectively inverts the Hot Hand
signals.

Motion Control
The

SPEED

control becomes the

MOTION

control in Hot Hand mode

and is used to smooth out the input
from the sensor by filtering out fast
changes in the signals. The amount
of smoothing is controlled by the
knob. Turning the knob towards

FLAIL

provides the most amount of smooth-
ing and the effect will now only react
to large, slow motions of the sensor.
This is useful when you only want the
effect to respond to large, deliber-
ate motions. Turning the knob all
the way to

PICK

sets the smoothing

at a minimum. This means that fast
changes in the sensor signal will be
applied to the effect. The motions
created from normal picking will be
enough to move the filter. This may
cause the sound to be too “jittery”,
in which case, turn the knob towards

STRUM

and

FLAIL

to get the desired

response. The

STRUM

setting is a

nice compromise that allows some
moderately fast motions through
without being too jittery.

Calibration
The Guitar Envelope Filter has a
calibration feature which is only used
in Hot Hand mode. However, calibra-
tion is not required before use. The
calibration feature allows you to set
the midpoint of the filter sweep for
any position of your hand. Depending
on your playing style, you may find it
useful to try some different calibra-
tion positions. The most common use
of calibration is setting your resting
hand position on the guitar to be the
midpoint of the filter sweep. Calibra-
tion can also be useful if you are
putting the sensor on a headband or
other alternate locations.

To perform a calibration

Turn the

EFFECT

knob to the

CALIBRATE

position.

Hold the sensor in the desired

position.

While holding the sensor steady,

press the

ON/OFF

footswitch and

wait for 1 second.

Turn the

EFFECT

knob away from

calibrate to use your new calibra-
tion setting. Note: Calibration
settings will be saved between
power cycles.

If you have trouble with calibration
and need to get back to the default
setting, place the sensor on a flat,
level surface with the blue LED facing
down and run the calibration proce-
dure again.

LIMITED WARRANTY

Source Audio, LLC (hereinafter “Source
Audio”) warrants that your new Source Audio
Soundblox Effects Pedal, when purchased
at an authorized Source Audio dealer in the
United States of America (“USA”), shall be
free from defects in materials and workman-
ship under normal use for a period of one
(1) year from the date of purchase by the
original purchaser. This Limited Warranty
does not extend to the batteries which are
purchased as is. Please contact your dealer
for information on warranty and service
outside of the USA.

Under this Limited Warranty, Source Audio’s
sole obligation and the purchaser’s sole rem-
edy shall be repair, replacement, or upgrade,
at Source Audio’s sole discretion, of any
product that, if properly used and maintained,
proves to be defective upon inspection by
Source Audio. Source Audio reserves the right
to update any unit returned for repair and to
change or to improve the design of the prod-
uct at any time without notice. Source Audio
reserves the right to use reconditioned parts
and assemblies as warranty replacements for
authorized repairs. Any product repaired, re-
placed, or upgraded pursuant to this Limited
Warranty will be warranted for the remainder
of the original warranty period.

This Limited Warranty is extended to the origi-
nal retail purchaser. This Limited Warranty
can be transferred to anyone who may subse-
quently purchase this product provided that
such transfer is made within the applicable
warranty period and Source Audio is provided
with all of the following information: (i) all
warranty registration information (as set forth
on the registration card) for the new owner,
(ii) proof of the transfer, within thirty (30) days
of the transfer, and (iii) a photocopy of the
original sales receipt. Warranty coverage shall
be determined by Source Audio in its sole
discretion. This is your sole warranty. Source
Audio does not authorize any third party,
including any dealer or sales representative,
to assume any liability on behalf of Source
Audio or to make any warranty on behalf of
Source Audio.

WARRANTY INFORMATION

Source Audio may, at its option, require proof
of the original purchase date in the form of
a dated copy of original authorized dealer’s
invoice or sales receipt. Service and repairs
of Source Audio products are to be performed
only at the Source Audio factory or a Source
Audio authorized service center. Prior to ser-
vice or repair under this Limited Warranty, the
purchaser must request from Source Audio a
return authorization, which is available at:

Source Audio LLC
120 Cummings Park, Woburn, MA 01801
(781) 932-8080 or at www.sourceaudio.net.

Unauthorized service, repair, or modification
will void this Limited Warranty.

DISCLAIMER AND LIMITATION OF WARRANTY
DO NOT OPEN THE EFFECTS PEDAL UNDER ANY
CIRCUMSTANCE. THIS WILL VOID THE WARRANTY.

THE FOREGOING LIMITED WARRANTY IS THE ONLY
WARRANTY GIVEN BY SOURCE AUDIO AND IS IN
LIEU OF ALL OTHER WARRANTIES. ALL IMPLIED
WARRANTIES, INCLUDING WARRANTIES OF MER-
CHANTABILITY AND FITNESS FOR ANY PARTICULAR
PURPOSE, EXCEEDING THE SPECIFIC PROVISIONS OF
THIS LIMITED WARRANTY ARE HEREBY DISCLAIMED
AND EXCLUDED FROM THIS LIMITED WARRANTY.
UPON EXPIRATION OF THE APPLICABLE EXPRESS
WARRANTY PERIOD, SOURCE AUDIO SHALL HAVE
NO FURTHER WARRANTY OBLIGATION OF ANY KIND,
EXPRESS OR IMPLIED. SOURCE AUDIO SHALL IN NO
EVENT BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR
CONSEQUENTIAL DAMAGES SUFFERED BY THE PUR-
CHASER OR ANY THIRD PARTY, INCLUDING WITHOUT
LIMITATION, DAMAGES FOR LOSS OF PROFITS OR
BUSINESS OR DAMAGES RESULTING FROM USE OR
PERFORMANCE OF THE PRODUCT, WHETHER IN
CONTRACT OR IN TORT. SOURCE AUDIO SHALL NOT
BE LIABLE FOR ANY EXPENSES, CLAIMS OR SUITS
ARISING OUT OF OR RELATING TO ANY OF THE FORE-
GOING.

Some states do not allow the exclusion

or limitation of implied warranties so some
of the above limitations and exclusions may
not apply to you. This Limited Warranty gives
you specific legal rights, and you may also
have other rights, which vary, from state to
state. This Limited Warranty only applies to
products sold and used in the USA. Source
Audio shall not be liable for damages or loss
resulting from the negligent or intentional
acts of the shipper or its contracted affiliates.
You should contact the shipper for proper
claims procedures in the event of damage or
loss resulting from shipment.

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