Mytek Digital Stereo 96 ADC (VER.5/2005) - Manual (Page 9)

More information about use of noise shaping in high resolution recording
can be found in the following Audio Engineering Society Preprints
( http://www.aes.org ):
“Coding Methods for High Resolution Recording Systems”
Preprint Number: 4639 Convention: 103 1997-09
Author: J. Robert Stuart
This paper reviews the recording and reproduction chain from the
viewpoints of digital audio engineering and psychoacoustics. It also
attempts to define the audio requirements of a transparent digital audio
channel. The theory and practice of selecting high sample rates such as
96kHz and word lengths of up to 24 bits are examined. The relative
importance of sampling rate and word size at various points in the
recording, mastering, transmission, and replay chain is discussed.
“Dynamic Range Enhancement Using Noise-Shaped Dither at 44.1, 48,
and 96 kHz”
Preprint Number: 4236 Convention: 100 1996-05
Author: J. R. Stuart
Author: R. J. Wilson
This paper presents an overview of the work done on noise shaping,
summarizing how noise shapers are designed, implemented and measured,
and outlining the hearing model used to evaluate the various designs
achieved.
“Dynamic Range Enhancement Using Noise-Shaped Dither Applied to
Signals with and without Preemphasis”
Preprint Number: 3871 Convention: 96 1994-03
Author: Robert Stuart
Author: Rhonda J. Wilson
This paper presents new noise-shaped dithers designed to give increased
subjective dynamic range when applied to signals with and without pre-
emphasis.
“Optimal Noise Shaping and Dither of Digital Signals”
Preprint Number: 2822 Convention: 87 1989-10
Author: Michael Gerzon
Author: Peter G. Craven
This paper discusses optimizing noise shaping, with or without dither,
using filtered error-feedback round a quantizer.
“Psychoacoustically Optimal Noise Shaping”
Preprint Number: 2965 Convention: 89 1990-09
AES Journal Vol:Issue: 40:7/8 Page: 611 Year: 1992
Author: Robert A. Wannamaker
This paper examines the design of psycho-acoustically optimal noise
shaping filters for requantization in non-oversampling digital audio
applications.
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