Yamaha KX W482 - Manual (Page 10)

10
¤
30 –
A
DUB NORM HIGH
‹
REC
R
dB
L
20 15 10 8 6 4 2 0 2 4 6 +
HALL
¤
B
‹
REC
DISCO CHURCH JAZZ CLUB
SYNCHRO
DIGITAL SUPER SURROUND (DSS) ( KX-W582 only)
This unit incorporates a sophisticated, multi-program Digital Super Surround function, which allows you to expand and shape
the audio sound field, for a theater-like experience in the listening room.
Pressing the DSS button turns on and off the DSS effect.
s
DECK B DECK A
¶
∞
Indicates your selection
of the DSS program.
DSS
DSS MODE
DSS
DSS MODE
Each time the DSS MODE button is pressed, the DSS
program changes in the following order and the
corresponding indicator lights:
3 HALL 3 DISCO 3 CHURCH 3 JAZZ CLUB
JAZZ CLUB 2 CHURCH 2 DISCO 2 HALL 2
Description of each Sound Field Program
:
Programmed to provide largest sound field effects
when listening through headphones.
HALL: A mode suitable for playing live recording of pop or
rock concerts with vocals. The expansion and
reverberation of concert hall are provided even when the
speakers are installed close to each other.
DISCO: Crisp bass and solid, powerful sound reproduces
the atmosphere of a disco.
CHURCH: Long echo time reproduces rich reverberation in
a church. Suitable for vocal music.
JAZZ CLUB: A very rich presence is reproduced together
with a three-dimensional feeling where each musical
instrument asserts itself in the front line.
Note
To playback the tape recorded with this unit applying the
DSS effect, be sure to turn off the DSS function. If the DSS
is activated also for playback, the reproduced sound will be
unnatural.
DSS monitor function
When the DSS button is pressed with any cassette inserted
in neither of the decks, “dSS” appears on the display in
position of the tape counters of both decks.
In this state, DSS effect can be applied to the input signal to
the LINE IN jacks from any other source than cassette
decks. The sound with DSS effect is output to the LINE OUT
jacks.
• On the amplifier, select the source to apply the DSS effect
with the REC OUT selector and set the input selector to
the TAPE position.
If the amplifier has no REC OUT selector, select the
source with the input selector and set the amplifier to the
TAPE MONITOR mode.
• Adjust the output level with the REC LEVEL control so that
the reproduced sound is not distorted. For details, see
“Setting the recording level” on page 12.
30 –
A
‹
R
dB
L
20 15 10 8 6 4 2 0 2 4 6 +
HALL
‹