Nady Systems Dual Receiver VHF Wireless Microphone System Encore Duet User Manual

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4. Microphone Operation

a. Turn on the Link 2 by sliding the ON/STANDBY/OFF SWITCH (41) to the

STANDBY position (transmitter on, audio muted) or the ON position (transmitter

and audio both on). The LOW BATTERY INDICATOR LED (40) will give a single

quick ﬂash, indicating usable battery strength. In case of dead or low battery,

the indicator will either not go on at all or stay on continuously, indicating a bat-

tery voltage below 7V. If this occurs, replace with fresh 9V battery. Remember to

turn the transmitter off when not in use.

b. The Link 2 is now ready to use. Most or all of the RF DISPLAY LEDs (4) on that

channel of the Encore DUET receiver should now be lit, indicating a received

signal from that transmitter. When ready to speak, slide the transmitter switch

to the ON position and adjust the volume of that channel of the receiver as per

the

Audio Output Microphone Connection section of the above Encore DUET

receiver instructions. The appropriate AF LEVEL LED DISPLAY (5) on the Encore

DUET receiver will light up to 5 LEDs (4 green and 1 red) for all input signals.

Occasional ﬂickering on and off during use of the top red LED indicator in this

display is normal, however if the red LED stays on continuously, it means the

signal is too loud and there is the possibility of overload distortion. Re-position

the microphone farther from the source or adjust the Link 2 transmitter gain with

the VOLUME LO/HI GAIN SWITCH (39). Set for the maximum possible level

without noticeable distortion on the high level peaks. Set the GAIN SWITCH to

LO to decrease the audio level, and set the GAIN SWITCH to HI to increase the

audio level. The red LED indicator should ﬂicker only on the loudest inputs.

(Note: Observe care in selecting P.A. volume, transmitter location and

speaker placement so that acoustic feedback (howling and screeching)

will be avoided. Please also observe the pickup patterns of the micro-

phone selected: omnidirectional mics pick up sound equally from all

directions and are prone to feedback if not used carefully. Unidirectional

mics are more resistant to feedback, but pick up sound sources best that

are directly in front of the mic. Also, mics that are farther from the sound

source, such as lavaliers, require more acoustic gain and thus are also

more prone to feedback than close-source mics such as handheld or head-

worn mics that are used close to the mouth.)

(Note: Microphone elements can easily be destroyed by the buildup of

salts and minerals from perspiration and saliva. It is good practice to put

5. Connecting the Audio Output

The Encore DUET receiver provides both a ﬁxed mic level BALANCED AUDIO OUT-

PUT XLR (14) for each channel and an adjustable line level A + B UNBALANCED

AUDIO OUTPUT 1/4" JACK (13) which provides a mixed (summed) Ch A plus Ch B

output signal. The mixed level from the A + B UNBALANCED OUTPUT is controlled

by the rear panel VOLUME CONTROLS (6) for each channel.

(Note: As when mak-

ing any connection, make sure the ampliﬁer or mixing board volume is at the

minimum level before plugging in the receiver to avoid possible sound system

damage. Also make sure that the phantom power on the input of the mixer is

turned OFF before making connection to the receiver.)

a. Instrument Connection (using the WGT instrument transmitter)

Insert an audio cord with a 1/4" mono phone plug in the A + B

UNBALANCED OUTPUT JACK (13) on the rear panel of the receiver. Plug the

other end of the cord into an ampliﬁer, effects, or mixing board. Adjust the

appropriate VOLUME CONTROL (6) for the channel being used on the Encore

DUET receiver clockwise to about 3/4 rotation, until the mixed volume level is

comfortable for your application. This setting is roughly equivalent to a direct

instrument cord connection. Turning the volume up to maximum will provide

4dB gain over a cord.

(Note: Since this a mixed output of Ch A & Ch B,

both channels with be processed simultaneously by the ampliﬁer and/or

effects connected to, which may not be appropriate for your application.

b. Microphone Connection (using the WLT transmitter with either a headset or

lavalier microphone or the WHT handheld microphone transmitter)

For microphone use, either the BALANCED MIC AUDIO OUTPUT XLRs (14)

or the 1/4" line level A + B UNBALANCED OUTPUT (13) can be used. The

XLR output is set at a non-adjustable microphone level, similar to hardwired mic

levels. Plug an XLR connector into either or both of the XLR OUTPUT JACKS on

the rear of the unit and plug the other end into your ampliﬁer or mixing board.

(Note: Make sure the phantom power on your mixing board is turned off

and the volume is turned down when making connections.)

For your convenience, the XLR output levels are preset at the factory and are

not adjustable with the receiver volume controls. To use the 1/4" A + B

UNBALANCED OUTPUT JACK (13), follow the instructions for the

Instrument Connection(above), except start with the receiver volume at 1/2

MAX and adjust the volume control for each channel until the mixed Ch A &

Ch B volume level is optimal. If the volume controls are set too high, you may

overload your mixer or amp.