JBL CSC55 - Manual (Page 4)

OUT THE ROCKET SCIENCE.
E.
NYLON STOCK-
INGS, FILM NOIR,
THE DAWN OF
AUDIO. James B.
Lansing leaves Western
Electric (where he led the
team that brought sound
to the movies) to start
JBL. First products: the
D130, an innovative high-
power, low-frequency
transducer, and a high-
frequency transducer
that’s still used by audio
professionals more than
50 years later.
1940’s
BLUE SUEDE
SHOES,
MCCARTHY,
THE ELECTRIC
GUITAR. As rock ‘n’
roll is born, JBL becomes
the clear leader in studio
and theater sound. Leo
Fender chooses the D130
to amplify his electric
guitars. And LIFE magazine
calls the JBL Hartsfield
the “dream speaker” for
the amazing new world
of hi-fi.
1950’s
VIETNAM,
WOODSTOCK,
SPACE. JBL intro-
duces the legendary
4320. With a high-fre-
quency compression
driver and acoustic lens
in a 4-way configuration,
it becomes the definitive
studio monitor of the
Space Age. And JBL
becomes standard
equipment at major rock
concerts. Remember that
little gathering at
Woodstock, NY? (We’re
with the band, man.)
1960’s
POLYESTER,
WATERGATE,
SATURDAY
NIGHT FEVER.
By 1976, a Billboard
survey ranks JBL studio
monitors number one.
And JBL Pro technology
comes home with the
L-100, a consumer version
of the 4300 Series, one of
the best-selling speakers
of the decade (and vastly
better looking than the
clothes of the era).
1970’s
MIAMI VICE,
MASTERS OF
THE UNIVERSE,
MTV. The Academy of
Motion Picture Arts and
Sciences chooses JBL
components to introduce
70mm Dolby
® stereo in
showcase theaters.
JBL introduces titanium
diaphragms and Bi-Radial
®
horns in professional
studio monitors.
GEN X, DOT-
COMS, DVD.
JBL’s professional
innovations come thick
and fast: Vented Gap
Cooling,
™ Optimized
Aperture ™ horns, rapid-
flare low-distortion
compression drivers.
JBL corners the THX
®
cinema market. And JBL
near-field studio monitors
lead in 5.1- and 7.1-sound
mixing and mastering.
PLASMA TV,
SACD, ™ JBL
CINEMA SOUND.
Low-resolution video and
stereo-era audio pass into
oblivion, and a new era of
home entertainment begins.
With proven, professional
technologies and a radically
simple design philosophy,
JBL Cinema Sound brings the
captivating experience of
movie house and concert hall
performances home, in a
sophisticated system you can
design and install yourself.
1980’s 1990’s TODAY
You hear JBL in places where sound is everything: Lucasfilm’s Skywalker Ranch, Polygram Records, the Sydney Opera House, CBGB.
You hear us in places you wouldn’t have guessed we’d be: Beijing’s Great Hall of the People, the Library of Congress, the Reykjavik Ice
Stadium, Disney World. You hear us in places that have only great sound in common: the Grand Ole Opry,
® the Royal Shakespeare Theatre,
the Georgia Dome and Hard Rock Cafes around the world. And you hear us in places that are highly relevant to the immediate topic at
hand: Loews Cineplex, AMC and United Artists cinemas nationwide, not to mention Mann’s Chinese and Directors Guild of America
theaters in Hollywood, and the Samuel Goldwyn theater in Beverly Hills. JBL professional equipment has been setting – and continually
raising – audio performance standards in theaters, concert halls, recording studios and arenas around the world for more than 50 years.
It’s what makes JBL JBL.
SOUND COMES HOME
DISTORTION-FREE
COMPOSITE
ENCLOSURES – Rounded
at the back to minimize unwanted
resonances, Cinema Sound’s
high-style, high-tech enclosures
are virtually distortion-free, in the
longstanding JBL tradition.