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Hookup diagrams – MACKIE SRM1801 User Manual

Page 6

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6

Main PA System with two subwoofers and two powered loudspeakers

WIDE

BYPASS

10

0

10

0

REVERBS

DELAYS

CHORUS/FLANGE/PHASER

DAMPING

DEPTH

TIME
RATE

NORMAL

NORMAL

EFX

SM.

ROOM

MD.

PLATE

LG.

PLATE

LG.

HALL

GATED

REVERSE

CATHEDRAL

MD.

HALL

SPRING

PHASER

DELAY 4
CHORUS

DELAY 3

DELAY 1

FLANGE

DELAY 2

1

3-4

1-2

CLIP

0dB=0dBu

LEFT RIGHT

MID

400Hz

MID

400Hz

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

MIC

1

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

MIC

2

MIC

3

MIC

4

MIC

5

MIC

6

MIC

7

MIC

8

ZERO

LEVEL

SET

TAPE LEVEL

O

O

MAX

PHONES LEVEL

UTILITY OUT LEVEL

1

(EXT)

48v

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

15–

15+

5

10

0
5

10

–15

+15

5

10

0
5

10

1

EFX

2

(INT)

EFX

1

(EXT)

POWER

STATUS

RUDE

SOLO

BREAK SWITCH

(MUTES ALL CHANNELS)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O
U

+15

O

O

U

+15

O

O
U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

2

3

4

5

6

7

8

9/10

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+20

O

O

U

+20

O

O

U

+10

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

11/12

AUX

EFX

MASTER SEND

U

GAIN

+20

-20

U

GAIN

+20

-20

LOW

LOW

22

10

7

4

2

0

2

4

7

10

20

30

STEREO

MAIN MIX

PHONES

FOOT

SWITCH

EFX

LAMP

12V 0.5A

MAIN OUT

L

R

11
LEFT

AUX SEND

UTILITY OUT

SUB OUT

TAPE

INPUT

TAPE

OUTPUT

L

L

R

1

2

1

2

L

L

R

R

L

R

EFX SEND

STEREO EFX

RETURN

MAIN INSERT

(MONO)

(MONO)

L

R

S

75Hz

SUB OUT

R

1

2

1

2

3

4

MAIN OUT

9

LEFT

RIGHT

10

RIGHT

12

EFX

1 RETURN

EFX

2

SEND

TO MAIN MIX

EFFECTS TO MONITOR

AUX

1

AUX

2

PHANTOM POWER

STEREO GRAPHIC EQ

1K

500

250

63

125

16K

2K

4K

8K

12k

HI

HI

MID

3k

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

12k

HI

HI

MID

3k

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

CLIP

DIGITAL STEREO EFFECTS PROCESSOR

EFX 2 (INT) RETURN MASTERS

12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER

ASSIGN

1

MUTE

ASSIGN

2

MUTE

ASSIGN

3

MUTE

ASSIGN

4

MUTE

ASSIGN

5

MUTE

ASSIGN

6

MUTE

ASSIGN

7

MUTE

ASSIGN

8

MUTE

ASSIGN

9-10

MUTE

ASSIGN

11-12

MUTE

SUB

SUB

SUB

SUB

1

2

3

4

ASSIGN

ASSIGN

ASSIGN

ASSIGN

STEREO

MAIN MIX

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN
LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

B

A

INPUTS

B

A

B

A

OUTPUTS
HIGH PASS

FULL RANGE

LEVEL

OL

SIGNAL POWER

POL ARITY

NORMAL
INVERT

THERMAL

+

6dB

6dB

-

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

POWER

I

O

B

A

INPUTS

B

A

B

A

OUTPUTS
HIGH PASS

FULL RANGE

LEVEL

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

+

6dB

6dB

-

POWER

I

O

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER

ACTIVE SOUND REINFORCEMENT SYSTEM

ACTIVE SOUND REINFORCEMENT SYSTEM

Right Main

Powered Loudspeaker

(Mackie SRM450v2 shown)

Left Main

Powered Loudspeaker

(Mackie SRM450v2 shown)

Pole Mount

High Pass

Output

Pole Mount

High Pass

Output

From Mixer

Left Output

From Mixer

Right Output

Mixing Console

(Mackie CFX12mkII shown)

The left and right line-level outputs from a mixer feed the inputs of the Mackie SRM1801 powered

subwoofers. The high pass line-level outputs of the subwoofers feed the inputs of the Mackie SRM450v2

powered loudspeakers, so these reproduce the mid-to-high frequencies in stereo, and the subs provide

the low frequencies in stereo.

ACTIVE SOUND REINFORCEMENT SYSTEM

ACTIVE SOUND REINFORCEMENT SYSTEM

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER

B

A

INPUTS

B

A

B

A

OUTPUTS
HIGH PASS

FULL RANGE

LEVEL

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

6dB

-

+

6dB

POWER

I

O

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

Left and Right Main

Powered Loudspeakers

(Mackie SRM450v2 shown)

From Mixer

Left and Right

Outputs

High Pass

Output

Mixing Console

(Mackie ProFX12 shown)

8K

4K

2K

1K

500

250

125

15

15

10

10

5

5

0

15

15

10

10

5

5

0

TAPE

IN

ST RETURN

MAIN OUT

PHONES

FOOTSWITCH

PHONES

TAPE
OUT

L

R

L

(UNBALANCED)

R

STEREO GRAPHIC EQ

FX SEND

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

LINE IN 4

INSERT

R

L

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

4

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

LOW CUT

100 Hz

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

BAL /

UNBAL

(MONO)

(MONO)

(MONO)

(MONO)

LINE IN 7

LINE IN 8

BAL /

UNBAL

LINE IN 9

R

L

LOW CUT

100 Hz

GAIN

7/8

5/6

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

MIC

GAIN

U

+50

GAIN

MIC

GAIN

U

+50

9/10

12kHz

HI

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

GAIN

MIC

MIC

MIC

MIC

MIC

MIC

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

U

+20

-20

GAIN

U

+20

-20

R

L

11/12

ST RTN

FX RTN

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

U

+15

FX TO MON

FX MASTER

U

+15

O

O

O

O

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

L

R

(MONO)

LINE IN 5

LINE IN 6

BAL /

UNBAL

L

R

LINE IN 10

BAL /

UNBAL

L

R

LINE IN 11

LINE IN 12

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

MON SEND

BAL /

UNBAL

BAL /

UNBAL

PRESETS

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL

13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP

MON

MAIN

4

LINE IN 3

INSERT

3

BAL /

UNBAL

3

LINE IN 2

INSERT

2

BAL /

UNBAL

BAL /

UNBAL

2

LINE/HI-Z IN 1

INSERT

1

5/6

7/8

9/10

11/12

0dB=0dBu

MAIN

METERS

OL

4

6
3

10

15

7

10

20
30

0
2

BREAK

(MUTES ALL CHANNELS)

PHANTOM

POWER

POWER

O

O

+20

U

TAPE LEVEL

O

O

+20

U

USB THRU

LINE

HI-Z

O

O

MAX

1

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

MAIN MIX

MON

EQ IN

BYPASS

PROFESSIONAL MIC/LINE MIXER WITH FX

R

L

INPUT LEVEL

USB

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

Main PA System with one subwoofer and two powered loudspeakers

The left and right line-level outputs from a mixer feed the inputs of the Mackie SRM1801 powered

subwoofer. The high pass line-level outputs of the subwoofer feed the inputs of the Mackie SRM450v2

powered loudspeakers, so these reproduce the mid-to-high frequencies in stereo, and the sub provides

the low frequencies in mono.

Hookup Diagrams