Daisy-chaining two speakers per side, Using a microphone and the thru jack, Unbalanced) – MACKIE TH-15A User Manual
Page 6: Fx send gain, Gain, Break tape level usb thru, Input level, Mute, Mute 48v, Th-15a

6
TAPE
IN
ST RETURN
MAIN OUT
PHONES
FOOTSWITCH
PHONES
TAPE
OUT
L
R
L
(UNBALANCED)
R
STEREO GRAPHIC EQ
FX SEND
GAIN
4
PAN
AUX
PAN
AUX
PAN
AUX
PAN
AUX
PAN
AUX
GAIN
7/8
5/6
PAN
AUX
GAIN
9/10
GAIN
GAIN
GAIN
PAN
AUX
GAIN
MIC
MIC
MIC
MIC
MIC
MIC
GAIN
11/12
ST RTN
FX RTN
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
PAN
AUX
FX TO MON
FX MASTER
L
R
L
R
L
R
L
R
L
R
L
R
MON SEND
FX PRESETS
MON
MAIN
4
3
3
2
2
1
5/6
7/8
9/10
11/12
MAIN
METERS
BREAK
TAPE LEVEL
USB THRU
1
R
L
INPUT LEVEL
USB
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
48V
O
OL
LEVEL
U
+15
-15
U
+15
-15
U
+15
-15
600
8k
100
MAX
O
O
U
FREQ
HIGH
12kHz
LOW
80Hz
MID
THRU
EQ
CONTOUR EQ
INPUT
ON
POWER
OFF
ON
O
OL
LEVEL
U
+15
-15
U
+15
-15
U
+15
-15
600
8k
100
MAX
O
O
U
FREQ
HIGH
12kHz
LOW
80Hz
MID
THRU
EQ
CONTOUR EQ
INPUT
ON
POWER
OFF
ON
O
OL
LEVEL
U
+15
-15
U
+15
-15
U
+15
-15
600
8k
100
MAX
O
O
U
FREQ
HIGH
12kHz
LOW
80Hz
MID
THRU
EQ
CONTOUR EQ
INPUT
ON
POWER
OFF
ON
O
OL
LEVEL
U
+15
-15
U
+15
-15
U
+15
-15
600
8k
100
MAX
O
O
U
FREQ
HIGH
12kHz
LOW
80Hz
MID
THRU
EQ
CONTOUR EQ
INPUT
ON
POWER
OFF
ON
TH-15A
TH-15A
TH-15A
TH-15A
Thru
Thru
ProFX12 Mixer
Right
Line-Level
Output
Left
Line-Level
Output
Daisy-Chaining Two Speakers Per Side
O
OL
LEVEL
U
+15
-15
U
+15
-15
U
+15
-15
600
8k
100
MAX
O
O
U
FREQ
HIGH
12kHz
LOW
80Hz
MID
THRU
EQ
CONTOUR EQ
INPUT
ON
POWER
OFF
ON
TH-15A
O
OL
LEVEL
U
+15
-15
U
+15
-15
U
+15
-15
600
8k
100
MAX
O
O
U
FREQ
HIGH
12kHz
LOW
80Hz
MID
THRU
EQ
CONTOUR EQ
INPUT
ON
POWER
OFF
ON
TH-15A
Dynamic
Microphone
The left and right line-level outputs from a
mixer feed the inputs of two Mackie TH-15A
Powered Loudspeakers. Their respective THRU
jacks feed the inputs of another pair of Mackie
TH-15A Powered Loudspeakers.
Using a Microphone and the Thru Jack
For microphone connections, you can daisy-chain
up to two TH-15As using the THRU jack, as shown.
Take great care to point any microphones away
from the loudspeakers. Otherwise, feedback may
occur.