Recognized standard chords chart – Yamaha YPT-200 EN User Manual
Page 45
Playing Auto Accompaniment Chords
PSR-E203/YPT-200 Owner’s Manual
45
● Recognized Standard Chords Chart
* These chords are not shown in the Chord Dictionary function.
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display
Major [M]
1 - 3 - 5
C
C
Add ninth [(9)]
1 - 2 - 3 - 5
C(9)
C(9)
Sixth [6]
1 - (3) - 5 - 6
C6
C6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6(9)
C6(9) *
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
CM7(9)
CM7(9) *
Major seventh add sharp eleventh [M7(#11)]
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
CM7(#11)
CM7(#11)*
Flatted fifth [(b5)]
1 - 3 - b5
C(b5)
Cb5 *
Major seventh flatted fifth [M7b5]
1 - 3 - b5 - 7
CM7b5
CM7b5 *
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Csus4
Augmented [aug]
1 - 3 - #5
Caug
Caug
Major seventh augmented [M7aug]
1 - (3) - #5 - 7
CM7aug
CM7aug *
Minor [m]
1 - b3 - 5
Cm
Cm
Minor add ninth [m(9)]
1 - 2 - b3 - 5
Cm(9)
Cm(9)
Minor sixth [m6]
1 - b3 - 5 - 6
Cm6
Cm6
Minor seventh [m7]
1 - b3 - (5) - b7
Cm7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 - b3 - (5) - b7
Cm7(9)
Cm7(9)
Minor seventh add eleventh [m7(11)]
1 - (2) - b3 - 4 - 5 - (b7)
Cm7(11)
Cm7(11) *
Minor major seventh [mM7]
1 - b3 - (5) - 7
CmM7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 - b3 - (5) - 7
CmM7(9)
CmM7(9) *
Minor seventh flatted fifth [m7b5]
1 - b3 - b5 - b7
Cm7b5
Cm7b5
Minor major seventh flatted fifth [mM7b5]
1 - b3 - b5 - 7
CmM7b5
CmM7b5 *
Diminished [dim]
1 - b3 - b5
Cdim
Cdim
Diminished seventh [dim7]
1 - b3 - b5 - 6
Cdim7
Cdim7
Seventh [7]
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C7
C7
Seventh flatted ninth [7(b9)]
1 - b2 - 3 - (5) - b7
C7(b9)
C7(b9)
Seventh add flatted thirteenth [7(b13)]
1 - 3 - 5 - b6 - b7
C7(b13)
C7(b13)
Seventh ninth [7(9)]
1 - 2 - 3 - (5) - b7
C7(9)
C7(9)
Seventh add sharp eleventh [7(#11)]
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C7(#11)
C7(#11)
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 - b7
C7(13)
C7(13)
Seventh sharp ninth [7(#9)]
1 - #2 - 3 - (5) - b7
C7(#9)
C7(#9)
Seventh flatted fifth [7b5]
1 - 3 - b5 - b7
C7b5
C7b5 *
Seventh augmented [7aug]
1 - 3 - #5 - b7
C7aug
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) - b7
C7sus4
C7sus4
One plus two plus five [1+2+5]
1 - 2 - 5
C1+2+5
C *
• Notes in parentheses can
be omitted.
• Playing two same root keys
in the adjacent octaves pro-
duces accompaniment
based only on the root.
• A perfect fifth (1+5) pro-
duces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.
• The chord fingerings listed
are all in “root” position, but
other inversions can be
used—with the following
exceptions: m7, m7
b
5, 6,
m6, sus4, aug, dim7, 7
b
5,
6(9), 1+2+5
• Inversion of the 7sus4 and
m7(11) chords are not rec-
ognized if the notes shown
in parentheses are omitted.
• The auto accompaniment
will sometimes not change
when related chords are
played in sequence (e.g.
some minor chords fol-
lowed by the minor sev-
enth).
• Two-note fingerings will pro-
duce a chord based on the
previously played chord.
NOTE