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Recognized standard chords chart – Yamaha YPT-200 EN User Manual

Page 45

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Playing Auto Accompaniment Chords

PSR-E203/YPT-200 Owner’s Manual

45

Recognized Standard Chords Chart

* These chords are not shown in the Chord Dictionary function.

Chord Name/[Abbreviation]

Normal Voicing

Chord (C)

Display

Major [M]

1 - 3 - 5

C

C

Add ninth [(9)]

1 - 2 - 3 - 5

C(9)

C(9)

Sixth [6]

1 - (3) - 5 - 6

C6

C6

Sixth ninth [6(9)]

1 - 2 - 3 - (5) - 6

C6(9)

C6(9) *

Major seventh [M7]

1 - 3 - (5) - 7 or
1 - (3) - 5 - 7

CM7

CM7

Major seventh ninth [M7(9)]

1 - 2 - 3 - (5) - 7

CM7(9)

CM7(9) *

Major seventh add sharp eleventh [M7(#11)]

1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7

CM7(#11)

CM7(#11)*

Flatted fifth [(b5)]

1 - 3 - b5

C(b5)

Cb5 *

Major seventh flatted fifth [M7b5]

1 - 3 - b5 - 7

CM7b5

CM7b5 *

Suspended fourth [sus4]

1 - 4 - 5

Csus4

Csus4

Augmented [aug]

1 - 3 - #5

Caug

Caug

Major seventh augmented [M7aug]

1 - (3) - #5 - 7

CM7aug

CM7aug *

Minor [m]

1 - b3 - 5

Cm

Cm

Minor add ninth [m(9)]

1 - 2 - b3 - 5

Cm(9)

Cm(9)

Minor sixth [m6]

1 - b3 - 5 - 6

Cm6

Cm6

Minor seventh [m7]

1 - b3 - (5) - b7

Cm7

Cm7

Minor seventh ninth [m7(9)]

1 - 2 - b3 - (5) - b7

Cm7(9)

Cm7(9)

Minor seventh add eleventh [m7(11)]

1 - (2) - b3 - 4 - 5 - (b7)

Cm7(11)

Cm7(11) *

Minor major seventh [mM7]

1 - b3 - (5) - 7

CmM7

CmM7

Minor major seventh ninth [mM7(9)]

1 - 2 - b3 - (5) - 7

CmM7(9)

CmM7(9) *

Minor seventh flatted fifth [m7b5]

1 - b3 - b5 - b7

Cm7b5

Cm7b5

Minor major seventh flatted fifth [mM7b5]

1 - b3 - b5 - 7

CmM7b5

CmM7b5 *

Diminished [dim]

1 - b3 - b5

Cdim

Cdim

Diminished seventh [dim7]

1 - b3 - b5 - 6

Cdim7

Cdim7

Seventh [7]

1 - 3 - (5) - b7 or
1 - (3) - 5 - b7

C7

C7

Seventh flatted ninth [7(b9)]

1 - b2 - 3 - (5) - b7

C7(b9)

C7(b9)

Seventh add flatted thirteenth [7(b13)]

1 - 3 - 5 - b6 - b7

C7(b13)

C7(b13)

Seventh ninth [7(9)]

1 - 2 - 3 - (5) - b7

C7(9)

C7(9)

Seventh add sharp eleventh [7(#11)]

1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7

C7(#11)

C7(#11)

Seventh add thirteenth [7(13)]

1 - 3 - (5) - 6 - b7

C7(13)

C7(13)

Seventh sharp ninth [7(#9)]

1 - #2 - 3 - (5) - b7

C7(#9)

C7(#9)

Seventh flatted fifth [7b5]

1 - 3 - b5 - b7

C7b5

C7b5 *

Seventh augmented [7aug]

1 - 3 - #5 - b7

C7aug

C7aug

Seventh suspended fourth [7sus4]

1 - 4 - (5) - b7

C7sus4

C7sus4

One plus two plus five [1+2+5]

1 - 2 - 5

C1+2+5

C *

• Notes in parentheses can

be omitted.

• Playing two same root keys

in the adjacent octaves pro-
duces accompaniment
based only on the root.

• A perfect fifth (1+5) pro-

duces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.

• The chord fingerings listed

are all in “root” position, but
other inversions can be
used—with the following
exceptions: m7, m7

b

5, 6,

m6, sus4, aug, dim7, 7

b

5,

6(9), 1+2+5

• Inversion of the 7sus4 and

m7(11) chords are not rec-
ognized if the notes shown
in parentheses are omitted.

• The auto accompaniment

will sometimes not change
when related chords are
played in sequence (e.g.
some minor chords fol-
lowed by the minor sev-
enth).

• Two-note fingerings will pro-

duce a chord based on the
previously played chord.

NOTE

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