Fostex DE-1 - Manual (Page 8)

8
DE-1 Owner’s Manual
PITCH
PITCH 1—3 (+/- Octave Shift) (d) Pitch shift with a variable range of +/-1 octave. (No pitch shift when ADJUST = 0.)
Select one of three variations: PITCH 1 is normal, PITCH 2 has faster response, and
PITCH 3 is clearest.
PITCH 4—6 (0 ~ +2 Octave Shift) (d) Pitch shift with a variable range of 0— +2 octaves. (+1 octave when ADJUST = 0.)
Select one of three variations: PITCH 4 is normal, PITCH 5 has faster response, and
PITCH 6 is clearest.
PITCH 7—9 (-2 ~ 0 Octave Shift) (d) Pitch shift with a variable range of -2—0 octaves. (-1 octave when ADJUST = 0.)
Select one of three variations: PITCH 7 is normal, PITCH 8 has faster response, and
PITCH 9 is clearest.
PITCH 10 (Feedback Pitch Shift 1) (f) Pitch shift with delayed feedback. Offsetting the pitch will produce interesting results.
PITCH 11 (Feedback Pitch Shift 2) (f) Pitch shift that produces a strange effect like a simulation of a space alien. We
recommend that you set ADJUST to 0.
* ADJUST knob: Pitch (adjust the amount of pitch change. +/-1 octave)
FLANGE
FLANGE 1 (Duo Flange) (b) Dual flanging in which two effect sounds with different modulation phase are
heard from left and right. Deep feedback.
FLANGE 2 (Lo-Feedback Duo Flange) (b) Dual flanging. Light feedback.
FLANGE 3 (No-Feedback Duo Flange) (b) Dual flanging. Almost no feedback.
FLANGE 4 (Lo-Freq Roll Flange 1) (b) Flanging with modulation in the low-frequency component. Deep feedback.
FLANGE 5 (Lo-Freq Roll Flange 2) (b) Flanging with modulation in the low-frequency component. light feedback.
FLANGE 6 (Hi-Freq Flange) (b) Flanging applied only to the high-frequency range.
FLANGE 7 (Lo-Freq Flange) (b) Flanging applied only to the low-frequency range.
FLANGE 8 (Bi-Frange 1) (c) Two types of flanging heard from the center. Deep feedback.
FLANGE 9 (Bi-Flange 2) (c) Two types of flanging heard from the center. Light feedback.
FLANGE 10 (Solo Flange 1) (d) One effect heard from the center. Deep feedback.
FLANGE 11 (Solo Flange 2) (d) One effect heard from the center. Light feedback.
* ADJUST knob: Rate (adjust the modulation speed of the flanging)
Effects in SINGLE MODE
L. HALL (Large Hall)
L. HALL 1 (Normal Large Hall) (A) Same as DUAL mode L. HALL 1, but higher density reverberation.
L. HALL 2 (Lo-Freq Large Hall) (A) Same as DUAL mode L. HALL 2, but higher density reverberation.
(Since special processing of the overtone structure is being performed, it is
not possible to adjust PARAM.3 “Character.”)
L. HALL 3 (Presence Large Hall) (A) Same as DUAL mode L. HALL 3, but higher density reverberation.
L. HALL 4 (Hard-Wall Large Hall) (A) Same as DUAL mode L. HALL 4, but higher density reverberation.
L. HALL 5 (Wet Large Hall) (A) Same as DUAL mode L. HALL 5, but higher density reverberation.
L. HALL 6 (Extensive Large Hall) (A) Same as DUAL mode L. HALL 6, but higher density reverberation.
L. HALL 7 (Cave) (A) Same as DUAL mode L. HALL 7, but higher density reverberation.
L. HALL 8 (Stadium 1) (A) Same as DUAL mode L. HALL 8, but higher density reverberation.
L. HALL 9 (Stadium 2) (A) Same as DUAL mode L. HALL 9, but higher density reverberation.
L. HALL 10 (Flange Large Hall 1) (B ) Reverb as if moving through a tunnel. Powerful stimulation for the three
semicircular canals of the inner ear!
L. HALL 11 (Flange Large Hall 2) (B) Special reverb with a deep flanging effect applied.
* ADJUST knob 1 (PARAM.1): Reverb Time (adjust the length of reverberation)
* ADJUST knob 2 (PARAM.2): E/R Level (adjust the volume of the early reflections)
* ADJUST knob 3 (PARAM.3): Character (adjust the overtone structure of the reverberation) (cannot be adjusted on L. HALL 2)
S. HALL (Small Hall)
S. HALL 1 (Normal Small Hall) (A) Same as DUAL mode S. HALL 1, but higher density reverberation.